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    <loc>https://www.theartpartners.com/journal1/thedimentionoffeeling</loc>
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    <lastmod>2024-09-21</lastmod>
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      <image:title>Journal - The Dimension of Feeling, curated by Maria Korolevskaya: Celebrating womanhood and its reflection in paintings of ten female artists - Make it stand out</image:title>
      <image:caption>Maria Korolevskaya at the exhibition opening co-hosted by The House of KOKO</image:caption>
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      <image:title>Journal - The Dimension of Feeling, curated by Maria Korolevskaya: Celebrating womanhood and its reflection in paintings of ten female artists - Make it stand out</image:title>
      <image:caption>Installation view of ‘The Dimension of Feeling’, curated by Maria Korolevskaya, presented by Vortic Curated</image:caption>
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      <image:title>Journal - The Dimension of Feeling, curated by Maria Korolevskaya: Celebrating womanhood and its reflection in paintings of ten female artists - Make it stand out</image:title>
      <image:caption>Yulia Iosilzon, Chameleon Vol II, 2024. Installation view of ‘The Dimension of Feeling’, curated by Maria Korolevskaya, presented by Vortic Curated</image:caption>
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      <image:title>Journal - The Dimension of Feeling, curated by Maria Korolevskaya: Celebrating womanhood and its reflection in paintings of ten female artists - Make it stand out</image:title>
      <image:caption>Anna Woodward, Swimming in Moonshine, 2022. Installation view of ‘The Dimension of Feeling’, curated by Maria Korolevskaya, presented by Vortic Curated</image:caption>
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    <loc>https://www.theartpartners.com/journal1/london-auction-highlights-at-christies-sothebys-and-phillips</loc>
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    <lastmod>2024-09-11</lastmod>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Sigmar Polke, “Irrläufer (Misdirected),” 1983, courtesy of Sotheby’s.</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Jadé Fadojutimi, ”Bark,” 2016 (left) and “Beneath the Petticoat,” 2018 (right), courtesy of Phillips.</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Gerhard Richter, Abstraktes Bild, 1986, Courtesy of Sotheby's</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Peter Doig, “By a River,” 2004, courtesy of Sotheby’s.</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Jean-Michel Basquiat, “Future Sciences Versus the Man,” 1982, courtesy of Christie’s.</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Francis Bacon, “Study for a Portrait,” 1979, courtesy of Sotheby’s.</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Auction of Sam Josefowitz collection, at Christie's London on 13 October 2023, courtesy of Christie's.</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Pat Steir, “Wind, Water and Stone: 6AM,” 1997, courtesy of Sotheby’s.</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Luc Tuymans, “Rome,” 2007, courtesy of Phillips.</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Paula Rego, “Dancing Ostriches from Walt Disney's 'Fantasia’,” 1965, pastel on paper mounted on aluminium, in two parts, courtesy of Christie’s.</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Frank Bowling, “Moby Dick,” 1981, courtesy of Sotheby’s.</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Andy Warhol, “Dollar Sign,” 1981, courtesy of Christie’s.</image:caption>
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      <image:title>Journal - London Auction Highlights at Christie’s, Sotheby’s and Phillips - Make it stand out</image:title>
      <image:caption>Jean Dubuffet, ”Mire G 95 (Kowloon),” 1983, courtesy of Phillips.</image:caption>
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  <url>
    <loc>https://www.theartpartners.com/journal1/an-insiders-glimpse-of-salone-del-mobile-milano-2023</loc>
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    <lastmod>2023-10-18</lastmod>
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      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023</image:title>
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      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023</image:title>
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      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023</image:title>
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      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023</image:title>
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      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023</image:title>
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      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023</image:title>
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      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023</image:title>
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      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023</image:title>
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      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/866d5dc8-76bd-4882-8dff-e5975edc406b/Tacchini.jpg</image:loc>
      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1682687534503-MV8E0HFFVQ6ZQUS0R16H/Occhio-unveils-floating-mirrored-lighting-collection-at-Milan-design-week0A_dezeen_2364_col_7-1704x959.jpg</image:loc>
      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023</image:title>
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      <image:title>Journal - An Insider's Glimpse of Salone del Mobile Milano 2023</image:title>
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  <url>
    <loc>https://www.theartpartners.com/journal1/2022/11/2/is-paris-the-new-london-the-art-partners-review-of-paris-and-fall-exhibition-guide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-28</lastmod>
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      <image:title>Journal - Is Paris the new London? The Art Partners review of Paris + and fall exhibition guide - Make it stand out</image:title>
      <image:caption>Image Courtesy of Mariane Ibrahim Gallery</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Is Paris the new London? The Art Partners review of Paris + and fall exhibition guide - Make it stand out</image:title>
      <image:caption>Image Courtesy of Arts in the City</image:caption>
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    <image:image>
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      <image:title>Journal - Is Paris the new London? The Art Partners review of Paris + and fall exhibition guide - Make it stand out</image:title>
      <image:caption>Bourse de Commerce - Pinault Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/06f692db-d61d-423f-8649-6d962354accc/Screenshot+2022-11-02+at+14.07.40.png</image:loc>
      <image:title>Journal - Is Paris the new London? The Art Partners review of Paris + and fall exhibition guide - Make it stand out</image:title>
      <image:caption>Image Courtesy of Paris + Art Basel</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/0ce14142-75ae-4962-8e92-ede624134af4/entree-flv.jpg</image:loc>
      <image:title>Journal - Is Paris the new London? The Art Partners review of Paris + and fall exhibition guide - Make it stand out</image:title>
      <image:caption>Image Courtesy of AFP Photo and Bertrand Guay</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/c9196471-5dd4-4f64-bd9b-8b2cf747bbf2/WhatsApp+Image+2022-11-02+at+4.29.01+PM+%281%29.jpg</image:loc>
      <image:title>Journal - Is Paris the new London? The Art Partners review of Paris + and fall exhibition guide - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/4ffa751a-f5d1-4af8-bfe2-867599d50544/15-DSC_7520.jpg</image:loc>
      <image:title>Journal - Is Paris the new London? The Art Partners review of Paris + and fall exhibition guide - Make it stand out</image:title>
      <image:caption>Image Courtesy of Anne-Fréderique Fer</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Is Paris the new London? The Art Partners review of Paris + and fall exhibition guide - Make it stand out</image:title>
      <image:caption>Image Courtesy of Anri Sala, Marian Goodman Gallery, Pinault Collection and Aurélien Mole.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Is Paris the new London? The Art Partners review of Paris + and fall exhibition guide - Make it stand out</image:title>
      <image:caption>Paris + Fair at the Grand Palais .Image Courtesy of Patrick Tourneboeuf</image:caption>
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  <url>
    <loc>https://www.theartpartners.com/journal1/2022/10/24/art-collectors-field-guide-fall-2022</loc>
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    <priority>0.5</priority>
    <lastmod>2022-10-24</lastmod>
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      <image:title>Journal - Art Collectors' Field Guide - Fall 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/5bb21474-7e87-4311-af31-3252bda67b66/Screenshot+2022-10-24+at+21.53.18.png</image:loc>
      <image:title>Journal - Art Collectors' Field Guide - Fall 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Art Collectors' Field Guide - Fall 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2022/10/09/stacie-mccormicks-colour-exhibition-curated-by-the-art-partners</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-10</lastmod>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya</image:title>
      <image:caption>Image Courtesy of Stacie McCormick, Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya</image:title>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya - Make it stand out</image:title>
      <image:caption>Stacie McCormick in front of her work. Image Courtesy of Stacie McCormick, Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya</image:title>
      <image:caption>Image Courtesy of Stacie McCormick, Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya</image:title>
      <image:caption>Image Courtesy of Stacie McCormick, Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya</image:title>
      <image:caption>Image Courtesy of Stacie McCormick, Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya</image:title>
      <image:caption>Image Courtesy of Stacie McCormick, Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya</image:title>
      <image:caption>Image Courtesy of Stacie McCormick, Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
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    <image:image>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya</image:title>
      <image:caption>Image Courtesy of Stacie McCormick, Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya</image:title>
      <image:caption>Image Courtesy of Stacie McCormick, Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya</image:title>
      <image:caption>Image Courtesy of Stacie McCormick, Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Stacie McCormick's 'Colour' exhibition curated by Maria Korolevskaya - Make it stand out</image:title>
      <image:caption>Image Courtesy of Stacie McCormick, Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2022/10/09/throwback-to-the-fair-art-fair-curated</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1665342138565-JLGLY9XJ88SJNN6CIN26/65839052-e6f2-4a26-97c2-cce58449c110.JPG</image:loc>
      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery - Artist Stacie McCormick with Maria Korolevskaya at the exhibition's opening</image:title>
      <image:caption>Image Courtesy of Scott Dennis Photography</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery</image:title>
      <image:caption>Image Courtesy of Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery</image:title>
      <image:caption>Image Courtesy of Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery - Artist Julia Lebedeva with Maria Korolevskaya</image:title>
      <image:caption>Image Courtesy of Scott Dennis Photography</image:caption>
    </image:image>
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      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery</image:title>
      <image:caption>Image Courtesy of Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery</image:title>
      <image:caption>Image Courtesy of Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery</image:title>
      <image:caption>Image Courtesy of Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1665328313586-EAR6FVPP9ZELGKU0UPO0/u1_faf_1_005.jpg</image:loc>
      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery</image:title>
      <image:caption>Image Courtesy of Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1665328558514-HRUKN87KW9MUCOH1V5U5/u1_faf_1_006.jpg</image:loc>
      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery</image:title>
      <image:caption>Image Courtesy of Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1665328807714-MXYNIA3F93ANIAB2H5O8/u1_faf_1_007.jpg</image:loc>
      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery</image:title>
      <image:caption>Image Courtesy of Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/aef5dc0b-2701-4cc3-b2a3-46118b1bbb72/eb4953c1-69dd-47f0-85f2-81fd2078772f.JPG</image:loc>
      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/097a6105-5cb4-4678-be5d-c7ebfb7a44ff/u1_faf_1_014.jpg</image:loc>
      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery - Make it stand out</image:title>
      <image:caption>Image Courtesy of Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - Throwback to the 'Fair Art Fair Curated I' exhibition at Unit 1 Gallery - Make it stand out</image:title>
      <image:caption>Image Courtesy of Unit 1 Gallery | Workshop and Paul Tucker Photography</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2022/05/16/venice-biennale-2022-the-art-partners-view</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-21</lastmod>
    <image:image>
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      <image:title>Journal - 2022 Venice Biennale - The Art Partners View - Make it stand out</image:title>
      <image:caption>Sala della Tribuna at Palazzo Grimani. Image Courtesy of Jean-François Baron.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/ea7d793b-922b-4351-b2d0-ac188b2497e6/Screenshot+2022-05-16+at+16.22.46.png</image:loc>
      <image:title>Journal - 2022 Venice Biennale - The Art Partners View - Make it stand out</image:title>
      <image:caption>Georg Baselitz. Exhibition ‘Archinto’. Image Courtesy of Gagosian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/453e5cc1-8899-428e-bd20-92fdbd2b7061/Screenshot+2022-05-16+at+14.56.24.png</image:loc>
      <image:title>Journal - 2022 Venice Biennale - The Art Partners View - Make it stand out</image:title>
      <image:caption>(left) Simone Leigh, ‘Façade’ (2022). Image Courtesy of Timothy Schenck and Simone Leigh. (right)  Latifa Echakhch, ‘La dépossession’ 2014. Image Courtesy of Fabrice Seixas and Latifa Echakhch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/dc68e242-e4f7-4fbf-969e-1bd56e4a9466/3afccf1c-e299-467c-a58c-afaf9f6e8704.JPG</image:loc>
      <image:title>Journal - 2022 Venice Biennale - The Art Partners View - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/deced31f-453b-4780-b6ca-4e68d6e909a6/Screenshot+2022-05-16+at+14.33.33.png</image:loc>
      <image:title>Journal - 2022 Venice Biennale - The Art Partners View - Make it stand out</image:title>
      <image:caption>Alexandra Pirici, ‘Aggregate’ (2017-2019). Image Courtesy of Alexandra Pirici.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - 2022 Venice Biennale - The Art Partners View - Make it stand out</image:title>
      <image:caption>Mary Weatherford. ‘The Flaying of Marsyas - 4500 Triphosphor’ (2021-22). Image Courtesy of Gagosian.</image:caption>
    </image:image>
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      <image:title>Journal - 2022 Venice Biennale - The Art Partners View - Make it stand out</image:title>
      <image:caption>Danh Vo, Isamu Noguchi and Park Seo-Bo exhibition at Fondazione Querini Stampalia.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal - 2022 Venice Biennale - The Art Partners View - Make it stand out</image:title>
      <image:caption>Anselm Kiefer. Exhibition ‘Questi scritti, quando verranno bruciati, daranno finalmente un po’ di luce’. Image Courtesy of Gagosian.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2021/13/04/nfts-explained</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-06</lastmod>
    <image:image>
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      <image:title>Journal - NFTs explained. Is crypto world developing too fast for the art market to keep up?</image:title>
      <image:caption>‘5,000 Days’ (2021) by Beeple. Image Courtesy of Christie’s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1618328174905-0SBTISXD6M7D0T1R19M8/Screenshot+2021-04-13+at+18.35.21.png</image:loc>
      <image:title>Journal - NFTs explained. Is crypto world developing too fast for the art market to keep up?</image:title>
      <image:caption>Graffiti ‘In Search Of’ (2020) by Misha Most. Image Courtesy of @misha_most.</image:caption>
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    <image:image>
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      <image:title>Journal - NFTs explained. Is crypto world developing too fast for the art market to keep up?</image:title>
      <image:caption>Jack Dorsey’s First Tweet Listed as NFT. Image Courtesy of Forbes.</image:caption>
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    <image:image>
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      <image:title>Journal - NFTs explained. Is crypto world developing too fast for the art market to keep up?</image:title>
      <image:caption>Nyan Cat. Image Courtesy of www.nyan.cat.</image:caption>
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  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2021/5/18/interview-with-thenyartscape</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
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      <image:title>Journal - New York Artscape - Interview with "The Art Partners" - A guide to the changing art world</image:title>
      <image:caption>Anastasia Petrovskaia (left), and Maria Korolevskaya (right) in London. Photo Courtesy of Erik Dias.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1616073701669-S2KGDFFN8G97EPWIJ54B/maria2.png</image:loc>
      <image:title>Journal - New York Artscape - Interview with "The Art Partners" - A guide to the changing art world</image:title>
      <image:caption>Maria Korolevskaya (left), and Anastasia Petrovskaia (right) during curatorial of The Photo London Magazine. Photo Courtesy of Erik Dias.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1616074092512-P9Q9CHW3KFJJG0P7QKIW/maria.png</image:loc>
      <image:title>Journal - New York Artscape - Interview with "The Art Partners" - A guide to the changing art world</image:title>
      <image:caption>Anastasia Petrovskaia (left), and Maria Korolevskaya (right) in London. Photo Courtesy of Erik Dias.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2020/11/11/ryoji-ikeda-at-the-store-x</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1605117203999-6RWMR008UTSK819HMOWE/Supersymmetry+Image+1+Courtesy+of+Yamaguchi+Center+for+Arts+and+Media+.png</image:loc>
      <image:title>Journal - Ryoji Ikeda at The Store X</image:title>
      <image:caption>‘supersymmetry’ (2013). Image Courtesy of YCAM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1605117486358-UHD3705Y1LW3YA2197MJ/Image+Courtesy+of+The+Vinyl+Factory+.png</image:loc>
      <image:title>Journal - Ryoji Ikeda at The Store X</image:title>
      <image:caption>‘test pattern [12]’ (2017). Image Courtesy of The Vinyl Factory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1605117651576-8U1ER8IINY79W0LZ0F4B/Image+Courtesy+of+Parallax.png</image:loc>
      <image:title>Journal - Ryoji Ikeda at The Store X</image:title>
      <image:caption>‘data.flux [12 XGA version]’ (2017). Image Courtesy of Parallax.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1605115735354-AXKLGUYVLSZT0SCG9WX8/Data+Verse+-+1+courtesy+of+Audemars+Piquet+image+3.png</image:loc>
      <image:title>Journal - Ryoji Ikeda at The Store X</image:title>
      <image:caption>‘data-verse 1’ (2019). Image Courtesy of Audemars Piquet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1605116887280-M36YI7YLT8WOI4H33YM9/micro+%7C+macro+ryoji+ikeda+image+courtesy+of+Michael+Young+and+ArtAsiaPacific+.png</image:loc>
      <image:title>Journal - Ryoji Ikeda at The Store X</image:title>
      <image:caption>‘micro | macro’ (2015). Image Courtesy of Michael Young and ArtAsiaPacific.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1605115290411-IF33THX1IYPBFGZ2LD9V/Image+courtest+of+Martin+Wagenhan+and+ZKM.png</image:loc>
      <image:title>Journal - Ryoji Ikeda at The Store X</image:title>
      <image:caption>‘micro | macro’ (2015). Image Courtesy of Martin Wagenhan and ZKM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1605116161497-7SGMFQRC283GONJFUTP8/Image+Courtesy+of+Fernando+Maquieira+and+Espacio+Fundacion+Telefonica.png</image:loc>
      <image:title>Journal - Ryoji Ikeda at The Store X</image:title>
      <image:caption>‘data path’ (2013). Image Courtesy of Fernando Maquieira and Espacio Fundación Telefónica.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1605116508441-58BQ3VBYX99ML9W1Y2LR/Data+Verse+-+1+courtesy+of+Audemars+Piquet.png</image:loc>
      <image:title>Journal - Ryoji Ikeda at The Store X</image:title>
      <image:caption>‘data-verse 1’ (2019). Image Courtesy of Audemars Piquet.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2020/10/26/the-good-the-bad-and-the-indefinitely-postponed-covid-plays-havoc-with-exhibition-schedules</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1603877974295-0CQN8OK096210IQ7QVN9/2-ok_0.gif</image:loc>
      <image:title>Journal - The Good, the Bad, and the Indefinitely Postponed: Covid plays havoc with exhibition schedules</image:title>
      <image:caption>Flower Power from Petrit Halilaj. Photograph: Reina Sofia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1603878334813-E5SH3BCR93MEZT64HMSQ/1561570560273.jpg</image:loc>
      <image:title>Journal - The Good, the Bad, and the Indefinitely Postponed: Covid plays havoc with exhibition schedules</image:title>
      <image:caption>See you next years Philip Guston. Photograph: National Gallery of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1603878112259-LM0UGSUYQZMS8VWBUSXK/t12979_gv.jpg</image:loc>
      <image:title>Journal - The Good, the Bad, and the Indefinitely Postponed: Covid plays havoc with exhibition schedules</image:title>
      <image:caption>Seeing red with Magdalena Abakanowicz. Photograph: Tate Modern.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1603789096386-LJIDVO2F9MUROZ2LGWIA/Artemisia+Photograph+.jpg</image:loc>
      <image:title>Journal - The Good, the Bad, and the Indefinitely Postponed: Covid plays havoc with exhibition schedules</image:title>
      <image:caption>Off with his head! Artemisia at the National Gallery London. Photograph: National Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1603788260231-F6DIOP4VFUFU79CKLFEU/Jael+and+Sisera</image:loc>
      <image:title>Journal - The Good, the Bad, and the Indefinitely Postponed: Covid plays havoc with exhibition schedules</image:title>
      <image:caption>Sleep tight, Artemisia Gentileschi dated 1620. Photograph: National Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1603788505817-YP8R0RBXA8N2P1B0NCNG/Van+eyck+pq.jpg</image:loc>
      <image:title>Journal - The Good, the Bad, and the Indefinitely Postponed: Covid plays havoc with exhibition schedules</image:title>
      <image:caption>OMG! Van Eyck was here. Photograph: Visit Ghent.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2020/10/13/cecily-brown-at-blenheim-palace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1602579453366-6FMU20QZV7FZ60CLF90V/Blenheim-New-York25123_v2.0f0f350c24eaf1c1c0adbaca820b6f74.jpg</image:loc>
      <image:title>Journal - Cecily Brown at Blenheim Palace</image:title>
      <image:caption>Cecily Brown in her studio in 2020. Image courtesy of the Blenheim Art Foundation and Tom Lindboe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1602579625475-B48PZK0J3BFQEJB3XC5Q/Picture3.jpg</image:loc>
      <image:title>Journal - Cecily Brown at Blenheim Palace</image:title>
      <image:caption>‘Hunt After Frans Snyders’ (2019) @ Cecily Brown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1602579180901-TRLT3Q5J2PVA00YNMSCH/Picture5.jpg</image:loc>
      <image:title>Journal - Cecily Brown at Blenheim Palace</image:title>
      <image:caption>‘There’ll be bluebirds’ (left) and ‘Spot the Spaniel’ (2019) @ Cecily Brown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1602579571317-7ZBSD8RJSV61N11CTY56/Picture6.jpg</image:loc>
      <image:title>Journal - Cecily Brown at Blenheim Palace</image:title>
      <image:caption>‘The Triumph of Death’ (2019). Image courtesy of the Blenheim Art Foundation and Tom Lindboe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1602579505929-NF8O24R7Q135YU6J8VP7/Picture2.jpg</image:loc>
      <image:title>Journal - Cecily Brown at Blenheim Palace</image:title>
      <image:caption>‘Hunt with Nature Morte and Blenheim Spaniel’ (2019). Image courtesy of the Blenheim Art Foundation and Tom Lindboe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1602579707608-UJ7USGVFT4N5B1LOTR2Q/Picture4.jpg</image:loc>
      <image:title>Journal - Cecily Brown at Blenheim Palace</image:title>
      <image:caption>‘There’ll Always be an England’ (2019). Image courtesy of the Artist and Genevieve Hanson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2020/9/9/absence-makes-the-heart-grow-fonder-a-post-covid-trip-to-the-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1599760203974-ULUFW5FEATOS1ISNFBTC/Image%2B4.jpg</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>Tate Modern Panorama Photocredit: Tate Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1599760120642-85QXBQ86LURVFVAFOQCW/Image+5.jpg</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>Tate Modern Turbine Hall Photocredit: Tate Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1599760125925-ZDBWIOYIIDULAXLWJDC1/Image+14.jpg</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>The Blavatnik Building stairwell 3 © Iwan Baan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1599760126484-NQ3YGO5OOCBQLX1ST4E6/Image+16.jpg</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>Start Display 1 Photocredit: Tate Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1599682936879-TSOT5YJAGMSJDFT3854X/Image+3.jpg</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>Tate Britain, Manton entrance. Photocredit: Tate Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1599761485948-RMVRPUA7BLVDK7OPPZAT/messengers.jpg</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>Messengers, the large scale wall painting in Anneberg Court of the National Gallery. Photograph: Ray Tang/REX/Shutterstock</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1600100700967-RTGLB28W89GTZ8WXA9VJ/Image+19.jpg</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>The Blavatnik Building exterior 2 © Iwan Baan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1599760554715-RII4PII9PLQ2K6Q9J1U5/Image+4.jpg</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>Tate Britian Rotunda Photocredit: Tate Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1599760566991-3WIZT9W4J6AETYK8PF4Z/Image+6.jpg</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>Pre-Raphaelite Gallery 1 Photocredit: Tate Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1599760631219-673DNJYDKWTCVY1PHH46/Image+10.jpg</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>Tate Britain, Duveen Galleries Photocredit: Tate Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1600100472218-1K47JWYGH7X0CE0KE2N6/Image+9.JPG</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>Tate Britain, Visitor walking through gallery Photocredit: Tate Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1599683952210-3R6B0AWIZFFU7OISD3L0/warhol.jpg</image:loc>
      <image:title>Journal - Absence makes the heart grow fonder: a post-Covid trip to the museum</image:title>
      <image:caption>Warhol exhibition extended until late November in something of a scheduling miracle. Photograph: Guy Bell/Rex/Shutterstock</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2020/7/31/we-are-excited-to-present-the-twelfth-edition-of-photo-londons-magazine-featuring-a-special-takeover-collaboration-with-the-art-partners</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1596184232490-DKA04V3G4GZP8LGI98IP/200604+PHOTOLONDON5815.jpg</image:loc>
      <image:title>Journal - We are excited to present our special takeover collaboration with the twelfth edition of Photo London’s magazine. - Photoshoot during Zoom interview The Art Partners&amp;nbsp; with I am Boleyn, photo courtesy of Eva Pentel</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1596184232402-NEQG4M9ZXC7CK81FXEDE/200604+PHOTOLONDON5822.jpg</image:loc>
      <image:title>Journal - We are excited to present our special takeover collaboration with the twelfth edition of Photo London’s magazine. - Photoshoot during Zoom interview The Art Partners&amp;nbsp; with I am Boleyn, photo courtesy of Eva Pentel</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1596184290150-OI4K3X6TEJPYTCJIGD4N/Norman+Seeff%2C+Robert+Mapplethorpe+and+Patti+Smith%2C+1969.jpg</image:loc>
      <image:title>Journal - We are excited to present our special takeover collaboration with the twelfth edition of Photo London’s magazine. - Norman Seeff, Robert Mapplethorpe and Patti Smith, 1969. Photo courtesy of the artist</image:title>
      <image:caption>Extract from Just Kids by Patti Smith</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1596184312286-RLM3Y1GZ1J2JOV4V86O0/maripol+madonna.jpg</image:loc>
      <image:title>Journal - We are excited to present our special takeover collaboration with the twelfth edition of Photo London’s magazine. - Madonna, taken from Maripol's new book MARIPOLA X, Photography by Maripol</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1596184321025-J5HE8LTU1DRD040LARIO/Maripol.jpg</image:loc>
      <image:title>Journal - We are excited to present our special takeover collaboration with the twelfth edition of Photo London’s magazine. - Grace Jones &amp;amp; Maripol, photo courtesy by Maripol</image:title>
      <image:caption>From Warhol to contemporary backstage photographers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1596186424761-GB9Q2835Q1M3T5PI20BT/STRUT-Lenny-Kravitz_teaser-960x640.png</image:loc>
      <image:title>Journal - We are excited to present our special takeover collaboration with the twelfth edition of Photo London’s magazine. - STRUT © LENNY KRAVITZ 2014</image:title>
      <image:caption>Lenny Kravitz A rockstar with a camera</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1596184370157-8NAWQ4OGGU9QCG3D39YP/Still+from+Idyllic+Space%2C+2019.jpg</image:loc>
      <image:title>Journal - We are excited to present our special takeover collaboration with the twelfth edition of Photo London’s magazine. - Tyler Mitchell, Still from Idyllic Space, 2019,  copyright of the artist</image:title>
      <image:caption>I Can Make You Feel Good monograph by Tyler Mitchell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1596184342178-0J070TCW872A929FLYC2/2020solidarity_Anne+Imhof_Eliza+Douglas+in+Anne+Imhof%2C+Imagine+%282019%29+photography+by+Nadine+Fraczkowski.jpg</image:loc>
      <image:title>Journal - We are excited to present our special takeover collaboration with the twelfth edition of Photo London’s magazine. - Eliza Douglas in Anne Imhof, Imagine (2019) photography by Nadine Fraczkowski instead of image</image:title>
      <image:caption>2020 Solidarity</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1596189579470-4361JUXXU8Q8U7DI71HA/image0+%281%29.jpeg</image:loc>
      <image:title>Journal - We are excited to present our special takeover collaboration with the twelfth edition of Photo London’s magazine.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2020/6/23/taking-care-of-your-collection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1592927170887-DQWNUVZFB2SV9ACEWU37/Jasper-Johns-0-through-9-1960.jpg</image:loc>
      <image:title>Journal - Taking Care Of Your Collection</image:title>
      <image:caption>Jasper Johns, 0 Through 9, 1960 Courtesy: © 2020 Jasper Johns and U.L.A.E. / Licensed by VAGA, New York, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1592928483034-IAZ8RXQZ88YFQ03DWOK0/tate-c.jpg</image:loc>
      <image:title>Journal - Taking Care Of Your Collection</image:title>
      <image:caption>Wolfgang Tillmans, paper drop Prinzessinnenstrasse, 2014. Courtesy: © Wolfgang Tillmans</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1592930015856-7E0TX5Z8W6LZ5S1M7OL1/christian-marclay-look-2019.jpg</image:loc>
      <image:title>Journal - Taking Care Of Your Collection</image:title>
      <image:caption>Christian Marclay 'Look' (2016-2019) © the artist. Image courtesy of White Cube</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-10-16-07-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1499603144543-CX5X3EZ0WPBNIG8Z7ATH/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 10 - 16 July, 2017</image:title>
      <image:caption>Emma Hart’s giant jug ‘heads’ take shape in the Faenza studio where she learned Italian techniques. Photograph: Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1499603677023-4ZKFLUBV3SM38DXWTKUO/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 10 - 16 July, 2017</image:title>
      <image:caption>Barkley L. Hendricks Icon for My Man Superman (Superman Never Saved any Black People – Bobby Seale) 1969; Collection of Liz and Eric Lefkofsky © Estate of Barkley L. Hendricks. Courtesy of Jack Shainman Gallery, New York. Superman S-Shield © &amp; ™ DC Comics.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1499607211012-AMXZ6ZR3CVUFGBQYH84C/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 10 - 16 July, 2017</image:title>
      <image:caption>Chris Ofili, The Caged Bird’s Song, 2014–2017 (detail). © Chris Ofili. Courtesy the Artist and Victoria Miro, London, The Clothworkers’ Company and Dovecot Tapestry Studio, Edinburgh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1499605714479-9T0Q8DGXX2B4U16NU5L8/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 10 - 16 July, 2017</image:title>
      <image:caption>Image of a Laura Owens painting and Jordan Wolfson sculpture "Female Figure". Courtesy the artists and 356 Mission.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1499606136042-NYHEAA4PUUK5W9HYB1FE/RS+flowers.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 10 - 16 July, 2017</image:title>
      <image:caption>Installation view of the exhibition "Richard Smith: Five Decades" at Flowers gallery. Image courtesy of the gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2019/10/5/subconsciousness-dairo-vargas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-18</lastmod>
    <image:image>
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      <image:title>Journal - Sub/Consciousness  - Dairo Vargas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1570293699842-GLDI2V50RJ1RRFAMH6BD/villa-tigulio-0109.jpg</image:loc>
      <image:title>Journal - Sub/Consciousness  - Dairo Vargas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1570292783375-EX9ZKUA15VU09I5H1I8E/image-asset.jpeg</image:loc>
      <image:title>Journal - Sub/Consciousness  - Dairo Vargas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1570292757690-J0K5CHUG5GEOT8ZMP1UJ/villa-tigulio-0026.jpg</image:loc>
      <image:title>Journal - Sub/Consciousness  - Dairo Vargas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1570293013812-XF1DRLIYR0SKLOWNKDCE/image-asset.jpeg</image:loc>
      <image:title>Journal - Sub/Consciousness  - Dairo Vargas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1570292983408-UT8MQ2UZQV90E8A7J3UT/villa-tigulio-0059.jpg</image:loc>
      <image:title>Journal - Sub/Consciousness  - Dairo Vargas</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2019/9/20/il-secolo-xix-article-about-our-latest-resident-dairo-vargas-x-anffas-association</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1568997547695-HHYEW1F43LYSTEPIL8HQ/image-asset.jpeg</image:loc>
      <image:title>Journal - IL SECOLO XIX article about our latest resident - Dairo Vargas x Anffas Association</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2019/9/11/dairo-vargas-the-latest-resident-of-the-untapped-residency</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1576837502019-VY3FARHIU6K4BBS0TQL9/Dairo%2BVargas%2Bx%2BUntapped%2BResidency</image:loc>
      <image:title>Journal - Dairo Vargas: The latest resident of the Untapped Residency</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1568225523500-C9KMENCCLPN03PYUU94R/Dairo+Vargas</image:loc>
      <image:title>Journal - Dairo Vargas: The latest resident of the Untapped Residency</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1576837443343-2QFAN473K7ZL36F12WDU/villa-tigulio-0048.jpg</image:loc>
      <image:title>Journal - Dairo Vargas: The latest resident of the Untapped Residency</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2019/9/4/a-divided-island-the-art-partners-insight-into-the-contemporary-art-scene-of-cyprus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1567681419406-2K34LHFH18XEISOHR0RW/Robin+Seir+%E2%80%9CGether+Contemporary%E2%80%9D</image:loc>
      <image:title>Journal - A Divided Island: The Art Partners insight into the contemporary art scene of Cyprus.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1567681592583-GKFEGXUGJYV8S98OPGXF/1</image:loc>
      <image:title>Journal - A Divided Island: The Art Partners insight into the contemporary art scene of Cyprus.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1567681690452-O0L551WYP51Q7MRHIZ4J/3</image:loc>
      <image:title>Journal - A Divided Island: The Art Partners insight into the contemporary art scene of Cyprus.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1567681598241-NXR7A0CFMX4S80LMLAZV/2</image:loc>
      <image:title>Journal - A Divided Island: The Art Partners insight into the contemporary art scene of Cyprus.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/5/a-w-d-lndn-07-13-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1525671034831-HHMSVY2YN4HR31QS23QT/rite2.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 07 - 13 May, 2018</image:title>
      <image:caption>Two performers during 'RITE: On this pliant body we slip our WOW!' Anne Tetzlaff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1525670528514-X6IB4TJ4D5I8COQ5746S/future-series-food_1920.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 07 - 13 May, 2018</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1525671222038-82H2MNHPZ176PQ69QPDL/Nancy-Fouts-Cork-Street-2018-1-of-31.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 07 - 13 May, 2018</image:title>
      <image:caption>Installation View, Image courtesy of the artist and the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1525671366827-GNJ883KJHG4JEW9YK8XL/image.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 07 - 13 May, 2018</image:title>
      <image:caption>William Lachance, Egyptian Robe’ (2018), image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1525671501382-OEJJQJSXJLX0794XPQSS/RIP-Azzedine-Ala%C3%AFa-2.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 07 - 13 May, 2018</image:title>
      <image:caption>Circa 1996 – Azzedine Alaia &amp; Naomi Campbell photographed by Jean Marie Perrier</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/5/a-w-d-lndn-30-6-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1524740279214-PQ1JAR0WK4IA0XYX4E8Z/FullSizeRender-4.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 April - 06 May, 2018</image:title>
      <image:caption>Jack Bullen, Abbess, Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1524740595634-POMF3L0XXWUBY7PL4Y8Y/Big-Words%E2%80%A6Small-Worlds-1987_Web.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 April - 06 May, 2018</image:title>
      <image:caption>Big Words…Small Worlds, 1987</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1524741000916-PC0H5N3V2EDR6RUGXFNS/tracey-emin.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 April - 06 May, 2018</image:title>
      <image:caption>Installation view of Tracey Emin's 'I Want My Time With You' at St Pancras Station</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1524741468078-1XHVY718XHD7IZFBVTH3/british-museum1.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 April - 06 May, 2018</image:title>
      <image:caption>Great Court The British Museum, © Image courtesy Foster+Partners</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1524741744465-T00HQ69CZM6QW0HTWL0Z/606_980-4855608B-6C5A-4D37-9E23-4DC2DFA328DC.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 April - 06 May, 2018</image:title>
      <image:caption>© Loewe Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/4/a-w-d-lndn-16-22-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1523819211859-307VHNU8GMC31012BS9W/va.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 16 - 22 April, 2018</image:title>
      <image:caption>Trouser suit, Bruno Pieters for Honest By, 2017, Belgium. Museum no. T.1702:1&amp;2-2017. © Victoria and Albert Museum, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1523820014807-88MVB001YLCOFD0XN295/Women%27s+Art+Practice+and+Thinking+A+Staged+Event.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 16 - 22 April, 2018</image:title>
      <image:caption>Eric N. MackUntitled, 2018 Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1523820165017-Z1EQV8ZA9QWZG790YDUQ/ryan-gander.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 16 - 22 April, 2018</image:title>
      <image:caption>Ryan Gander, Installation view Image courtesy of the Lisson gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1523820446794-4VBVYPZ5KCP11SL6BED3/Farrar%2C+Maria++-+Birthday%2C+2016.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 16 - 22 April, 2018</image:title>
      <image:caption>Maria Farrar, Birthday 2016. © Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1523819768524-706RN4G69WOU7HEX0LAO/sandra+blow.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 16 - 22 April, 2018</image:title>
      <image:caption>Sandra Blow, Stripes (1978) © courtesy Victoria Miro Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/4/a-w-d-lndn-09-15-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1523038465399-QUXOO7E0N20JMS307QVV/cropped-Signe_Pierce_007_FR_Designed-Realities.png</image:loc>
      <image:title>Journal - Art Weekly Digest: London 09 - 15 April, 2018</image:title>
      <image:caption>Detail of Signe Pierce work © courtesy Annka Kultys Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1523037936097-6GZ1AG68CCEEZ45S8S72/monet+rouen.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 09 - 15 April, 2018</image:title>
      <image:caption>Claude Monet’s ‘The Doge’s Palace’ (1908) © Brooklyn Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1523207721724-FSK1BZ7EJH0AWEQKS7H9/Jennifer-Louise-Martin_IBlue-Funk-5MB.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 09 - 15 April, 2018</image:title>
      <image:caption>Jennifer Louise Martin, Blue Funk 2018 Image courtesy of the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1523207669880-N2ZV0HUJGDL9AI7A51GW/1200px-NY_Met_demuth_figure_5_gold.JPG</image:loc>
      <image:title>Journal - Art Weekly Digest: London 09 - 15 April, 2018</image:title>
      <image:caption>Charles Demuth (1883–1935), I Saw the Figure 5 in Gold, 1928. © Metropolitan Museum of Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1523038665254-6VB4MYZ6WTFCGTXZU0JW/erick+mack.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 09 - 15 April, 2018</image:title>
      <image:caption>Eric N. MackUntitled, 2018 Image courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/4/a-w-d-lndn-02-08-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1522661914621-BYJDTWHG45EQ0XIEOS2M/6.-alien-sex-club-2015-camp-and-furnace-liverpool.-r-john-walter.-photograph-rob-battersby.-2.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 02 - 08 April, 2018</image:title>
      <image:caption>John Walter, Alien Sex Club, 2015 Camp and Furnace, Liverpool. Photograph: Rob Battersby.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1522660431491-USAB2NIOGOJ0I2XBEBUY/bita+fish+and+coral.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 02 - 08 April, 2018</image:title>
      <image:caption>Bita Vakili, Fish And Coral, Shahrivar , 2014 Courtesy of the artist and the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1522661203906-SCP6L5SJRI99PQIIHMLE/kerry+james+marshall.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 02 - 08 April, 2018</image:title>
      <image:caption>Kerry James Marshall, Untitled (London Bridge) (2017) Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1522662154238-CJDWCNA4UC07629PLSAX/tanya+ling.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 02 - 08 April, 2018</image:title>
      <image:caption>TANYA LING, Line Painting 2018, image courtesy of the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1522660836838-RKGZ6QJBZC5FILKKTD7J/guerilla+girls.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 02 - 08 April, 2018</image:title>
      <image:caption>Guerrilla Girls, What Do These Artists Have In Common? 1985 © courtesy www.guerrillagirls.com</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/3/a-w-d-lndn-26-01-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1522041767244-BWODXXI2STESLTAA4UUG/Image+credit+Charles+Albert+Sholl.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 March - 01 April, 2018</image:title>
      <image:caption>Image credit: Charles Albert Sholl</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1522042892391-7HAPY3KOWNF0P1CYGD8K/Max-Colson_Carpenters-Estate-Lidar-Scan-02.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 March - 01 April, 2018</image:title>
      <image:caption>Max Colson, The Carpenter’s Estate, Stratford (2017) Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1522042782121-P0BKUBZ7361VR5OQOI4R/Peter-Schuyff_Installation-View_Green-Room-1-1500x1000.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 March - 01 April, 2018</image:title>
      <image:caption>Installation View of Peter Schuyff exhibition at Carl Kostyal, image courtesy of the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1522042057380-F3YA140U9DFKOY5OQFYP/brask1-6.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 March - 01 April, 2018</image:title>
      <image:caption>Installation view of Afro Kismet exhibition by Fred Wilson at Pace Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1522042573394-DKMY2SQ46RL88W7Z5JUN/damien+hirst.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 March - 01 April, 2018</image:title>
      <image:caption>Paintings from Damien Hirst’s new Colour Space series are displayed in the State Rooms at Houghton Hall near King’s Lynn. Photo IMage: Pete Huggings/© DAMIEN HIRST AND SCIENCE LTD. ALL RIGHTS RESERVED, DACS 2018</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/3/a-w-d-lndn-19-25-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1521375714759-G2J0QK6IFTY4JAB2CMDC/pier+calzolari.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 March, 2018</image:title>
      <image:caption>Pier Paolo Calzolari, Untitled (Mattress: “Senz’altri rumori che i miei”), 1971. Marianne Boesky and Pace Gallery, 2012 Photograph by Katy Hamer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1521377832086-KTFLAYSCSFQF1SYABECC/ap-stezj-02663-a-web.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 March, 2018</image:title>
      <image:caption>John Stezaker, Double Mask II (Film Portrait Collage), 2017 Image courtesy of the artist and the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1521376056446-VH1VRUGG5TE4FZK1YO6G/joan+jonas.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 March, 2018</image:title>
      <image:caption>Joan Jonas Reanimation 2010/2012/2013 Multimedia installation. Courtesy Joan Jonas and Gavin Brown’s enterprise, New York/Rome. Photography: Thomas Müller</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1521377198474-KP6J6NL4LCGGFE12D8YP/fashion-in-motion-john-alexander-skelton_960.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 March, 2018</image:title>
      <image:caption>Emerging Designer John Alexander Skelton to Show at the V&amp;A Image Courtesy of V&amp;A</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1521376902869-72HQE4KUFTQJI4QF5QZR/Iona+Mitchell.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 March, 2018</image:title>
      <image:caption>Iona Mitchell, Retired Painting, 2017 (UAL Central Saint Martins, BA/ 2018) Auction Begins: 7pm (GMT) 31.03.18 Auction Ends: 7pm (GMT) 06.04.18</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/3/a-w-d-lndn-12-18-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1520702902813-ATPKCR3HJSL5IPJ0YYS6/yto-barrada-agadir-installation-view-the-curve-barbican-centre-7-feb-20-may-2018.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 March, 2018</image:title>
      <image:caption>Yto Barrada: Agadir. Installation view, The Curve, Barbican Centre, 7 Feb – 20 May 2018.Credit: Photo by Tristan Fewings/Getty Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1520703759623-3R9Z7Y0KWIB4O5MY64XR/Rachel-Howard-On-Violence-Spring.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 March, 2018</image:title>
      <image:caption>Rachel Howard 'On Violence Spring' Image courtesy of the artist and Blain Southern Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1520842191010-UVK5DF1V4GJUF3STTLZZ/emissary1022a.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 March, 2018</image:title>
      <image:caption>Scene from Ian Cheng's “Emissary Sunsets The Self” ( Bryan Conley/Carnegie Museum of Art )</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1520698688181-D0VQDWF00YIZ1F9FSZQX/GALLERY4-jumbo.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 March, 2018</image:title>
      <image:caption>“Circulation Figures” and “Face to Face” are two light installations from the British-American artist Anthony McCall. Photo: Jason Wyche, Courtesy of the Artist and Sean Kelly, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1520697902909-H0DMVA6VZGE5ERWPO7PF/an137092563a-sunday-afterno.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 March, 2018</image:title>
      <image:caption>"A Sunday Afternoon" in Whitechapel by Chantal Joffe Courtesy the artist and Victoria Miro</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/3/a-w-d-lndn-05-11-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1519992775218-X07XB26VFUGQFRZUO8XD/roy_licht.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 March, 2018</image:title>
      <image:caption>Roy Lichtenstein, Little Aloha 1962, Courtesy of the Estate of Roy Lichtenstein</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1519992970829-N2EGD6SZOSQKH87TTJJA/ANYTHING_EVERYTHING_01_Gallery.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 March, 2018</image:title>
      <image:caption>Oriol Vilanova, Anything, Everything, 2015-ongoing. Courtesy: the artist and M - Museum Leuven</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1519993049292-2Y4UBDJRPKEU11TDERMK/Rachel+Rossin.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 March, 2018</image:title>
      <image:caption>Rachel Rossin, Subsurface Scattering, 2016, Courtesy of Zieher Smith gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1520697708854-7AM132OSIU19ZXPJEJ40/Picasso+1932.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 March, 2018</image:title>
      <image:caption>Pablo Picasso, Nude in a Black Armchair (Nu au Fauteuil noir) 1932, Private Collection Courtesy of Richard Gray Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1519993176340-VZZG5ESJ4IIPV8OBA16I/Matisse_Odalisque.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 March, 2018</image:title>
      <image:caption>Henri Matisse, Odalisque couchée aux magnolias (1923). Photo: courtesy of Christie's.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/3/4-a-w-d-lndn-02-26-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1519592615978-WT8Z1V0BR77CR5CNGTS5/feminists.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 February - 04 March, 2018</image:title>
      <image:caption>Presentation of Christian Dior collection, Image credit Christian Dior</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1519591267209-1V7PXLPJ8X2KZZO6XEHY/bacon.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 February - 04 March, 2018</image:title>
      <image:caption>Francis Bacon, Study for Portrait of Lucien Freud, 1964. Private Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1519593272314-PDS7H5JFZBRW77FX6VYU/fem.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 February - 04 March, 2018</image:title>
      <image:caption>Zadie Xa,The Conch, Sea Urchin and Brass Bell, 2017. image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1519593823613-0EISMZLL2IIQ3G0BE1AE/neil+grayson.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 February - 04 March, 2018</image:title>
      <image:caption>Neil Grayson, American Flag (industrial Melanism) © Courtesy of the artist and the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1519593044301-WW6S0APYMKX32X9SQ711/Michael+Forbes.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 February - 04 March, 2018</image:title>
      <image:caption>Michael Forbes, Image Courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/2/5/a-w-d-lndn-02-19-25-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1518885770262-373F8Q8DYGEEJLGGZ7NZ/jeanne_hebuterne_1919_web_4.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 February, 2018</image:title>
      <image:caption>Amedeo Modigliani Jeanne Hébuterne 1919 The Metropolitan Museum of Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1518883759173-R4KZZVGNQXILODFN0W6Y/vera+luter.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 February, 2018</image:title>
      <image:caption>"Vera Lutter: Turning Time", installation view at Gagosian Britannia Street, London. Artworks © Vera Lutter. Photo by Mike Bruce</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1518885277065-AEOW2DJPE156RU56C2M8/Ntombephi_Ntobela_Dynamic_Emergence_from_the_Sea75_x_75_cm_%283%29.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 February, 2018</image:title>
      <image:caption>DYNAMIC EMERGENCE FROM THE SEA, NTOMBEPHI NTOBELA. PHOTO COURTESY OF 50 GOLBORNE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1518884679786-2J2LUNRV5RER6Y4QC9XG/erich+lessing.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 February, 2018</image:title>
      <image:caption>Maria in the rain in the "The Sound of Music" 1964 © Erich Lessing und Leica Galerie Salzburg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1518882473627-QIZLEAEN8GS5YO8E1LTY/Ferrari-design-museum-london-3.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 February, 2018</image:title>
      <image:caption>Presentation of Christian Dior Autumn collection, Image credit | Ferrari S.P.A. Images courtesy of Design Museum</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/2/5/a-w-d-lndn-02-12-18-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1518394050189-FKAV7T2DE46SV9JX2E35/Figure5.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 February, 2018</image:title>
      <image:caption>John Cage. Figure 5. Interpretation of graph 12 T from Tudor’s first realization of Concert for Piano and Orchestra/Solo for Piano. Tudor converts the 10 shapes in Cage’s score into specific clusters, here spread across two systems. Image reproduced courtesy of the Getty Research Institute.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1518394770055-KNMB035FI4S66OIEYIBA/edward+burra.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 February, 2018</image:title>
      <image:caption>Edward Burra, The Band, 1934. (c) Estate of the artist,courtesy of Lefevre Fine Art Ltd, London and British Council Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1518394742697-AWINC0M2NDNFK33PLTRT/I%27m+ready+for+love+Toby+Ziegler.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 February, 2018</image:title>
      <image:caption>Toby Ziegler, I'm ready for love © courtesy of the artist and Simon Lee Gallery, London. Photo credit: British Council Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1518394624301-Z787K960J0YO3THEDBXG/mattsanders.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 February, 2018</image:title>
      <image:caption>Matt Saunders: Poems of Our Climate, 2017, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1518394848559-1T2VJRE4TWSWRQOTB0L8/mark+dio.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 February, 2018</image:title>
      <image:caption>MARK DION Mobile Wilderness Unit - Wolf 2006 mixed media trailer: courtesy: the artist &amp; Georg Kargl Fine Arts, Vienna</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/2/5/a-w-d-lndn-02-05-11-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1517815067634-4C9WA9OTAOEHN6ML7H1O/leo+fitzmaurice.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 February, 2018</image:title>
      <image:caption>Leo Fitzmaurice, Post Match (1996-2017) Folded cigarette packet (540 parts), courtesy of the artist and The Sunday Painter, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1517816442077-M830RSUFU05ZMWGELGJC/F+Aurb.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 February, 2018</image:title>
      <image:caption>Frank Auerbach, Mornington Crescent, Summer Morning II, 2004 © Frank Auerbach, courtesy Marlborough Fine Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1517782212731-OQD4IJG3AY4DGBX1TQBU/le+brun.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 February, 2018</image:title>
      <image:caption>Elisabeth Louise Vigée Le Brun, Self Portrait in a Straw Hat, after 1782</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1517815623899-UJ5LT84PJ66FQ2WN6JW4/Schmidt-Ana_Dead-End.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 February, 2018</image:title>
      <image:caption>The winner of 2018 - Ana Schmidt, Dead End (2017) Image Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1517784042357-14UOOKYIE6I38V2Y49A6/BAl_Galleria-Lorcan-Oneill_Eddie-peake_.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 February, 2018</image:title>
      <image:caption>Eddie Peake, Gallerie Lorcan O'Neill, installation view, Frieze London 2017. Image Courtesy of the artist and the gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2018/3/a-w-d-lndn-04-02</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1516978160458-H9CF0PTIHHUV1XFTWM2F/glenn+brown.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 29 January - 04 February, 2018</image:title>
      <image:caption>Glenn Brown, The Music of the Mountains, 2016 © Glenn Brown. Photo by Mike Bruce</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1516979879079-WIQ1R4JVMR3G2ZP2CMB0/juan_gris_1915_web_2.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 29 January - 04 February, 2018</image:title>
      <image:caption>Amedeo Modigliani Juan Gris 1915 Lent by The Metropolitan Museum of Art, Bequest of Miss Adelaide Milton de Groot (1876–1967), 1967</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1516977877575-M3BIYK86HECLTJ4WL4DH/GG2013-009.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 29 January - 04 February, 2018</image:title>
      <image:caption>Canone Aureo 484 (2013), Giorgio Griffa. Photo: Jean Vong, courtesy Archivio Giorgio Griffa and Casey Kaplan, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1516979494016-2JFJES8F63I5A20EIDKW/epherm+solomon.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 29 January - 04 February, 2018</image:title>
      <image:caption>Ephrem Solomon, 'Birth and Death series 18', 2017, Image Courtesy of Kristin Hjellegjerde Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1516977416591-6IZGN4QYEOE1R62GDDGY/toby1.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 29 January - 04 February, 2018</image:title>
      <image:caption>Empress of Britain colour lithograph poster for Canadian Pacific Railways, J.R. Tooby, 1920 – 31. Museum no. E.2215-1931. © Victoria and Albert Museum, London</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-01-22-28-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1516290627596-LQNPCA0815RU33N575OL/gursky.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 22 - 28 January, 2018</image:title>
      <image:caption>Andreas Gursky, Kamiokande, 2007 © Andreas Gursky. Courtesy Sprueth Magers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1516459018615-0E42ATU7WEM6UH2QJSNU/Lumiere2016-Bit.Fall-Julius-Popp3.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 22 - 28 January, 2018</image:title>
      <image:caption>Julius Popp' Bit.fall is part of Canary Wharf's permanent art collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1516464447345-I9J6Y4HZGYMF1ZW2UVWP/Knots.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 22 - 28 January, 2018</image:title>
      <image:caption>Still from Adam Chodzko' shortfilm Knots (2013) Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1516291286283-2DKO9QP04TAWXJXM3N41/pink_skater_will_i_win_will_i_win_2015_oil_on_canvas_208_x_329_cm_rose_wylie.jp</image:loc>
      <image:title>Journal - Art Weekly Digest: London 22 - 28 January, 2018</image:title>
      <image:caption>Rose Wylie, Pink Skater, (Will I Win, Will I Win), 2015 © Rose Wylie, Courtesy the artist and David Zwirner, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1516291782102-4W59EP11Z2PI60O0YIYH/modigliani.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 22 - 28 January, 2018</image:title>
      <image:caption>Amedeo Modigliani, Head of a Young Lady (1915)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/12/22/best-of-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1513953013879-J39OZVTF391WSW03KZ91/malevich.jpg</image:loc>
      <image:title>Journal - Best of 2017: Our Top 10 London Art Shows</image:title>
      <image:caption>Kazimir Malevich, Dynamic Suprematism Supremus, c. 1915. Tate: Purchased with assistance from the Friends of the Tate Gallery 1978 Photo © Tate, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1513954667758-PYXIVUX0WJUJF0LM7Q8M/tumblr_nhu19lI9CM1rf1jvro1_1280.jpg</image:loc>
      <image:title>Journal - Best of 2017: Our Top 10 London Art Shows</image:title>
      <image:caption>Jean-Michel Basquiat in 1988 (Credit: Julio Donoso/Sygma/Corbis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1513955536621-O1TV2MNZJ12YIIRJ9QYN/nude_1917_social_and_website_crop_1200px_v2_003.jpg</image:loc>
      <image:title>Journal - Best of 2017: Our Top 10 London Art Shows</image:title>
      <image:caption>Amedeo Modigliani Nude 1917 (detail) Private Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1513955213361-737PO9V95SG89VBN6IJM/olafur+elliason.jpg</image:loc>
      <image:title>Journal - Best of 2017: Our Top 10 London Art Shows</image:title>
      <image:caption>Olafur Eliasson, Room for one colour, 1997, installation view at Moderna Museet, Stockholm 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1513955946635-C6KQ8AO3XRQ1UR6X2G5H/MIRZ150011_6.jpg</image:loc>
      <image:title>Journal - Best of 2017: Our Top 10 London Art Shows</image:title>
      <image:caption>Haroon Mirza, A Chamber for Horwitz (2015) Image Courtesy: Lisson Gallery x Vinyl Factory</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1513952539468-N23IF8T7IJK3TV9SNBND/hockney_su_image011_02641_1610101031_id_1082714-1200x900.jpg</image:loc>
      <image:title>Journal - Best of 2017: Our Top 10 London Art Shows</image:title>
      <image:caption>David Hockney, Los Angeles (2016) Courtesy of Matthias Vriens-McGrath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1513950128461-NV8HV82G2QZG86G4F8T9/tschabalala.jpg</image:loc>
      <image:title>Journal - Best of 2017: Our Top 10 London Art Shows</image:title>
      <image:caption>Tschabalala Self, Sapphire, 2015. Courtesy of Wassim Rasamny. Photograph by Thomas Nelford</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1513953389218-1HIRQC4VNQLF3JW3HLD9/ed+ruscha.jpg</image:loc>
      <image:title>Journal - Best of 2017: Our Top 10 London Art Shows</image:title>
      <image:caption>Ed Ruscha’s Standard Station, 1966</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1513954014721-49YJGJSTAA5ZOD1ENRSD/picasso.jpg</image:loc>
      <image:title>Journal - Best of 2017: Our Top 10 London Art Shows</image:title>
      <image:caption>Picasso wearing a bull’s head intended for bullfighter's training, La Californie, Cannes, 1959. Photo by Edward Quinn ©</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1513951697183-XNTMCXTPMA69VKY8OXGR/teamLab.jpg</image:loc>
      <image:title>Journal - Best of 2017: Our Top 10 London Art Shows</image:title>
      <image:caption>'Transcending Boundaries' at Pace Gallery. Photo Courtesy of The Pace Gallery © teamLab.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-12-11-17-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1512934627949-DJIBDAXSKX49WQXKVPX1/Kim+Keever%2C+Courtesy+Waterhouse+%26+Dodd.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 11 - 17 December, 2017</image:title>
      <image:caption>Kim Keever, 'Abstract 9318,' 2014, Waterhouse &amp; Dodd</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1512730222156-A751YHJ8T5A04Q04YJ65/the-connaught-christmas-tree-2017-by-tracey-emin-cbe.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 11 - 17 December, 2017</image:title>
      <image:caption>Tracey Emin’s tree 'The Greatest Gift' outside the Connaught. Photo credit: The Connaught</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1512728778218-T1VJ2K3497H9UJH677K4/gormley.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 11 - 17 December, 2017</image:title>
      <image:caption>Antony Gormley RA, GAZE III, 2015. © Anthony Gormley. Photo: Stephen White.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1512729812575-MI71Z6A37T71BC7VMJZT/tate_britain+alan.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 11 - 17 December, 2017</image:title>
      <image:caption>Home for Christmas: A Commission for Tate Britain by Alan Kane Photo credit: Photo © Tate, Joe Humphrys</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1512729460953-29C0O4OU27HS0N3KNDXW/mary+ramsden.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 11 - 17 December, 2017</image:title>
      <image:caption>Mary Ramsden, 'Hurt Colours', 2017 Courtesy of the artist and Pilar Corrias Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-12-04-10-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1512320069991-Z9JOER6D2SGG3F59ONVP/Made-In-Oakfield_MATTFIONA-copyright-French-and-Tye-1170x655.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 04 - 10 December, 2017</image:title>
      <image:caption>MATT+FIONA, Made In Oakfield, 2017. Copyright French and Tye</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1512320714769-YQ3OB3RPRP8VENQ639XG/seth+price.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 04 - 10 December, 2017</image:title>
      <image:caption>Still from "Redistribution" (2007) by Seth Price Credit: Courtesy Institute of Contemporary Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1512322279695-D85I6UKWO4RI7VA572HJ/nadav.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 04 - 10 December, 2017</image:title>
      <image:caption>Nadav Kander, Water XI (Mucking towards Stanford-Le-Hope) 2017. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1512323966269-3JFZY968NQCI48PLW3SB/martinPu.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 04 - 10 December, 2017</image:title>
      <image:caption>Installation view at the Parasol Unit, © Martin Puryear, Courtesy Matthew Marks Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1512321702774-X9K6L4G5GUG726G702LV/Taylor_Wessing_PPP_2017_1794.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 04 - 10 December, 2017</image:title>
      <image:caption>'Fleeing Mosul' is one of the shortlisted photographs in this year's Taylor Wessing Photographic Portrait Prize. © Abbie Trayler-Smith</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-27-03-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1511618090856-HVK37ZRTK055S8A7IPHI/Lorenzo_Quinn_actions_not_words23.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 November - 03 December, 2017</image:title>
      <image:caption>Lorenzo Quinn, Support (2017) in Venice during the 57th Venice Biennale. Image courtesy of Halcyon Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1511622111649-FAIP1QT6L0VA4VMIGQSO/artist+asylum.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 November - 03 December, 2017</image:title>
      <image:caption>Image courtesy: the Artist Asylum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1511620057868-3NXDVL0JZVWD0NGOX4CB/BRITLINS-FAMILY_SMALL-1200x0-c-default.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 November - 03 December, 2017</image:title>
      <image:caption>Scott King, Brittlin's Familly. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1511619110310-V870LBNUWBI3EZC9DH1Y/motherwell.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 November - 03 December, 2017</image:title>
      <image:caption>Robert Motherwell, Study in Watercolour No. 1 (In Green and Blue), 1968, Image courtesy of the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1511620651623-MPRKFKM9XQW6HFM9QVXT/Tintype_WORK_WORK_Install_10-hi-copy-1500x1000.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 November - 03 December, 2017</image:title>
      <image:caption>Installation view of 'Work Work' at Tintype gallery, image courtesy of the gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-20-26-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1511091059731-WYFUMQLX0GLXZ74VJZ3S/ISelf-2-Lassnig.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 26 November, 2017</image:title>
      <image:caption>Adam and Eve by Maria Lassnig, image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1511086738777-MT9RER9S58V5EYLNDH16/nude_1917_social_and_website_crop_1200px_v2_003.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 26 November, 2017</image:title>
      <image:caption>Amedeo Modigliani Nude 1917 (detail) Private Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1511088481638-9DI66RRVN6YZIIX5IRX5/porte.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 26 November, 2017</image:title>
      <image:caption>Johnsons Island Artist studio door. Courtesy of the Johnsons Island Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1511090077574-3K2J3MMH17DNW4684H8V/rebecca.png</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 26 November, 2017</image:title>
      <image:caption>Rebecca Ackroyd, Grower, 2017 Courtesy of artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1511089742879-GMVG067UW26Y2TQWS0TT/KEHINDE-slide-5TH6-master1050.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 26 November, 2017</image:title>
      <image:caption>Kehinde Wiley at his Williamsburg, Brooklyn, studio. Credit Chad Batka for The New York Times</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-13-19-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1510405481094-FUY9IC4NRXKH5A5GK5FZ/Pussy-Riot-Putin-Pissed-Himself-201203-1024x687.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 13 - 19 November, 2017</image:title>
      <image:caption>Punk-rocking radical feminists Pussy Riot who gathered in Moscow’s Red Square during a protest in January 2012. (Photo by Denis Sinyakov/Reuters)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1510408468688-42T9WQ561R425GELJLAN/Lu-Chao-Sink-Hole-No-4.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 13 - 19 November, 2017</image:title>
      <image:caption>Lu Chao, Sink Hole No.4, 2017. Image courtesy of the artist and the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1510407620321-U7S42740PD7BS3OUZ68B/Miles-Aldridge-Circling-The-Small-Ads-after-Miller-web.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 13 - 19 November, 2017</image:title>
      <image:caption>Cleo Cwiek photographed by Miles Aldridge for Numéro Art #1, Fall &amp; Winter 2017. Image courtesy of the gallery and the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1510407273663-8BDMYY2ZCXDZWI7EUBTK/CTP_artists_286N09721_9L555_A.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 13 - 19 November, 2017</image:title>
      <image:caption>John Little, Untitled, 1962. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1510404860768-5DOLPIW1LUINL5J0UB9T/jenny+holzer.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 13 - 19 November, 2017</image:title>
      <image:caption>View of the light work at the facade on Blenheim’s facade. Photograph by Samuel Keyte. © 2017 Jenny Holzer, member Artists Rights Society (ARS)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-06-12-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1509893676237-0CAU6G7OICS5HN7VTGXE/pissaro.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 06 - 12 November, 2017</image:title>
      <image:caption>Pissarro’s Saint Anne’s Church A Kew, Londres, 1892 (private collection)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1509893749951-XNRATL4SBX6VF886WO80/olafur+elliason.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 06 - 12 November, 2017</image:title>
      <image:caption>Olafur Eliasson, Room for one colour, 1997, installation view at Moderna Museet, Stockholm 2015 Photo: Anders Sune Berg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1509878470516-1J6X67EZHI2XZ5N7BMI1/methode_times_prod_web_bin_8e1cb1bc-b3fe-11e7-bd81-0feeb2b41cb4.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 06 - 12 November, 2017</image:title>
      <image:caption>A propaganda poster by Ivan Simakov marking the fifth anniversary of the revolution FOTOTECA GILARDI/GETTY IMAGES</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1509893815824-2C9CPWICDUHVWY23YZ12/matisse.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 06 - 12 November, 2017</image:title>
      <image:caption>Henri Matisse, Yellow Odalisque, 1937. The Samuel S. White 3rd and Vera White Collection, 1967 Photo © Philadelphia Museum of Art. Artwork: © Succession H. Matisse/DACS 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1509893786078-KG0YAUXS7Y0PNCD6YX7C/matilda.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 06 - 12 November, 2017</image:title>
      <image:caption>Michalina Olszańska as the prima ballerina Mathilda-Marie Feliksovna Kschessinskaya and Lars Eidinger as Tsar Nikolai II ( "Mathilda" directored by Aleksei Uchitel )</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-30-05-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1509347269322-AGDX9MBPA6ZH5IJBXB9I/paularego.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 October - 05 November, 2017</image:title>
      <image:caption>Paula Rego, Comfort, 2017. Pastel on paper. Courtesy of the artist and Jerwood Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1509348143553-KY0DMPJF4UEQR514E5EY/FRAC-roland-halbe-studio-odile-decq_dezeen_1568_8.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 October - 05 November, 2017</image:title>
      <image:caption>FRAC Bretagne Contemporary Art Museum in Rennes by Studio Odile Decq, 2012. Photograph by Roland Halbe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1509348592536-6BUJPTT6G49WY7BPX6GP/simeon.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 October - 05 November, 2017</image:title>
      <image:caption>Installation view of Simeon Barclay's current exhibition 'The Hero Wears Clay Shoes' at Tate Britain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1509346795156-HQ39VPPQ9B3HKZ4XE4HI/sam_GILLIAM+oninion+skin+1975.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 October - 05 November, 2017</image:title>
      <image:caption>Sam Gilliam Onion Skin, 1975. Image courtesy of Pace gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1509347682883-NU0Z9V2W9VKG9WEJAV42/soutine.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 October - 05 November, 2017</image:title>
      <image:caption>Chaim Soutine’s ‘Bellboy’ c 1925 (© Courtauld Gallery, Centre Georges Pompidou)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-23-29-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1508626703526-ID5S8MXIN9D3HLSI6HHK/Metafisica+da+Giardino.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 23 - 29 October, 2017</image:title>
      <image:caption>Installation view of "Metafisica da Giardino". Image courtesy of Nahmad Projects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1508626946764-LH961U124DG4OFJ7MM1S/Peter+Liversidge.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 23 - 29 October, 2017</image:title>
      <image:caption>Peter Liversidge, ''Everything is Connected', Installation view, Frieze Art Fair 2012 (image courtesy ARTSY)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1508626337453-UKZTR6V112NMV1YCOLRM/gardener_1.png</image:loc>
      <image:title>Journal - Art Weekly Digest: London 23 - 29 October, 2017</image:title>
      <image:caption>Paul Cezanne, The Gardener Vallier, 1905-06 (detail), Photo Courtesy of the Tate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1508626517482-3RURKTK4BDV7DUHIVYOT/Shostakovich%27s+First+Symphony%2C+oil+painting%2C+Pavel+Filonov%2C+1935.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 23 - 29 October, 2017</image:title>
      <image:caption>Shostakovich's First Symphony, oil painting, Pavel Filonov, 1935, Russia. © State Tretyakov Gallery, Moscow / Bridgeman Images</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-16-22-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1508114580215-BTQG701054Z6IJ1B46UY/dubuffet.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 16 - 22 October, 2017</image:title>
      <image:caption>Jean Dubuffet, Theatre De Memoire (1977) at Pace Gallery, image courtesy of the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1508113401033-ZZKSEYC6O1YFZF4QC1ZC/CloverEgg_Faberge.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 16 - 22 October, 2017</image:title>
      <image:caption>This Easter egg was presented by Nicolas II to his wife Alexandra in 1902. The four-leaf clover with miniature portraits of the Tsar’s daughters was hidden inside as a surprise.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1508112213687-UMUSJPFX2CE0Y1QT7650/Kabakov.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 16 - 22 October, 2017</image:title>
      <image:caption>Ilya and Emilia Kabakov, How to Meet an Angel (1998), Photo Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1508116552097-M66CPSBQLTPUNIZULEL7/pompidou.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 16 - 22 October, 2017</image:title>
      <image:caption>Centre Pompidou in Paris. Construction dates: 1971-1977, Image courtesy: Rogers Stirk Harbour + Partners</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1508112731096-8ADBPXVOVPWWSC2USPTS/Degas-X9681-pr.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 16 - 22 October, 2017</image:title>
      <image:caption>Hilaire-Germain-Edgar Degas, 'The Red Ballet Skirts', about 1900, The Burrell Collection © CSG CIC Glasgow Museums Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-09-15-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1507489427260-JGEY8OO7YYWBPT8445A3/Laurent+Grasso.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 09 - 15 October, 2017</image:title>
      <image:caption>Laurent Grasso, Untitled, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1507491671372-IF57RNSB3CTOCCA6M47B/1.-BMH-high-res-collage-.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 09 - 15 October, 2017</image:title>
      <image:caption>Collage by Fourthland from workshop with Xenia. Image courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1507489870780-SJGDL2LYA4AC1I8RSNVB/m1hsoz7nvfjkzcphsml6.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 09 - 15 October, 2017</image:title>
      <image:caption>Duchamp and Dali playing chess during filming for A Soft Self-Portrait, 1966. Archivo Fotografico Pere Vehi, Cadaques Photo by Robert Descharnes and Paul Averty. ©Descharnes &amp; Descharnes sarl 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1507489757370-Z8APJ9FRTINX4TLIJ632/Nothern+lights.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 09 - 15 October, 2017</image:title>
      <image:caption>The strength of auroral activity runs in 11-year cycles Credit: AP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1507490075232-IU8LBC2OOXNSNPYLTTIF/TINTYPE_Madalina_Zaharina_DEBT.1_hi.jpg-copy-1500x1000.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 09 - 15 October, 2017</image:title>
      <image:caption>Madalina Zaharia, Negative Space as Things, 2017 Image courtesy of the gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-02-08-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1506882285389-559BVBR834TPIJSP81JY/%27Camilla+Bliss++Closed+Curtain%27+exhibition+at+The+Barbican+Arts+Group+Trust.+2017.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 02 - 08 October, 2017</image:title>
      <image:caption>'Camilla BlissClosed Curtain' exhibition at The Barbican Arts Group Trust. 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1506925724962-HEWJO0A0C80KZYC7ISFS/Dominique.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 02 - 08 October, 2017</image:title>
      <image:caption>Dominique Gonzalez-Foerster, OPERA (QM.15), 2016. Installation view. HD Video, 8 minutes 30 seconds © DACS, 2016. Courtesy: the artist and Esther Schipper, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1506882432920-FJULCER0A6P2I7IMAMDE/Artcicrle.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 02 - 08 October, 2017</image:title>
      <image:caption>Stephen Antonakos, '8 Foot Blue and Red Incomplete Circle', 1975 Courtesy of Art cIrcle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1506881991786-IH2K7JJIGKSOVG1B7ZYS/Haroon-Mirza-A-Chamber-for-Horwitz-Sonakinatography-Transcriptions-in-Surround-Sound-2015%C2%A9-Haroon-Mirza-Courtesy-Lisson-Gallery-2.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 02 - 08 October, 2017</image:title>
      <image:caption>Haroon Mirza, ‘A Chamber for Horwitz; Sonakinatography Transcriptions in Surround Sound’ (2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1506881840691-03COYTRVVV9JXJRLELAP/philippe-parreno-anywhen-turbine-hall-04.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 02 - 08 October, 2017</image:title>
      <image:caption>Philippe Parreno, Anywhen, for the Tate Modern's annual site-specific Turbine Hall commissions in 2016, Sponsored by Hyundai. Courtesy of Tate Photography</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-25-01-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1506323250450-QGVP5RQI0E7VF4NV89VQ/liquid.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 25 September - 01 October, 2017</image:title>
      <image:caption>Vaughan James, 'Liquid Gold Zurich Switzerland' (2015) Courtesy of Shapero Modern.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1506320827245-6UW5AF22PBX3BEYRRHUE/AVJanssens.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 25 September - 01 October, 2017</image:title>
      <image:caption>Ann Veronica Janssens Untitled, 2015 7 spotlights, artificial haze. Image courtesy of bortolami gallery and the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1506321604328-20AXG8UT7UO157R1KVVH/Amber-Jane.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 25 September - 01 October, 2017</image:title>
      <image:caption>Amber Butchart. Photography Anthony Lycett</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1506323653946-9PUIBK0CNIPCPKBB758E/Pietro.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 25 September - 01 October, 2017</image:title>
      <image:caption>Pietro Consagra Il Sole, 1966 . Courtesy of Artuner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1506321090422-PXANF953KRDJJJHVRIXG/JMB.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 25 September - 01 October, 2017</image:title>
      <image:caption>This 1982 artwork by Jean-Michel Basquiat was sold for a record $110.5 million at auction in New York in May 2017. It hadn't been shown in public since a private collector bought it for $19,000 in 1984.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-18-24-09-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1505679661249-FJCLRDLIX768ELF34IY0/camillewalalanowgallerylondon1%402x.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 18 - 24 September, 2017</image:title>
      <image:caption>Camille Walala's exhibition view. Photo: Charles Emerson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1505678752143-ZC3DQOOY974N1GYL6621/alicewonderland.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 18 - 24 September, 2017</image:title>
      <image:caption>The Knave of Hearts and Alice in Alice's Adventures in Wonderland, The Royal Ballet © ROH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1505638835840-F6ISB90E5RFE1VQ3PVWE/Jasper+JOhns.png</image:loc>
      <image:title>Journal - Art Weekly Digest: London 18 - 24 September, 2017</image:title>
      <image:caption>Jasper Johns, Painting with Two Balls, 1960. Collection of the artist © Jasper Johns / VAGA, New York / DACS, London 2017. Photo: Jamie Stukenberg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1505639754897-NLA26Z6XUUMPR5MJ7OO2/untitled_stairs_2001.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 18 - 24 September, 2017</image:title>
      <image:caption>Rachel Whiteread, Untitled (Stairs) 2001 Tate © Rachel Whiteread</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-11-17-09-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1505031163810-CTYG2D1QKSWQ6ENXKSE2/Camilla+Emson.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 11 - 17 September, 2017</image:title>
      <image:caption>Camilla Emson, Mapping: shifting combination of a nature that tells its own stories, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1505031563703-7BA9F78X37BVFO40W1X9/Venus%2C+2016%2C+by+Julie+Curtiss.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 11 - 17 September, 2017</image:title>
      <image:caption>Julie Curtiss, Venus, 2016, Image courtesy of the artist and the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1505030658648-RZ42SO10VQTUGT2RGGSS/Reflection+Room+by+Flynn+Talbot.png</image:loc>
      <image:title>Journal - Art Weekly Digest: London 11 - 17 September, 2017</image:title>
      <image:caption>Reflection Room by Flynn Talbot, Image courtesy of Victoria &amp; Albert Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1505030349735-KQMHHTP9B6DCCX02M39B/TYRA_TINGLEFF_.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 11 - 17 September, 2017</image:title>
      <image:caption>Tyra Tingleff, Philosophy is probably homesickness, 2016 Image courtesy of the artist and the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1505031340881-UJ6QAINNA4YLLIK66RGL/Vadim+Zakharov%2C+Tunguska+event.+Copyright+and+courtesy+the+artist.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 11 - 17 September, 2017</image:title>
      <image:caption>Vadim Zakharov, Tunguska event. Copyright and courtesy the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/8/3/sept-exh-17</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1504666406672-GSDEA5ELXD65O09F0WHO/dropping_a_han_dynasty_urn_2015.jpg</image:loc>
      <image:title>Journal - September Exhibition Guide 2017</image:title>
      <image:caption>Ai Weiwei. Dropping a Han Dynasty Urn, 2016. LEGO bricks Courtesy: the artist and Ai Weiwei Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1504664881951-CI2WAFRI14ZH7YJCUBGV/TM_Dorn_08-750x400.jpg</image:loc>
      <image:title>Journal - September Exhibition Guide 2017</image:title>
      <image:caption>Takashi Murakami, Photo: Claire Dorn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1504664341356-IEYBSWDNM4N942WTCPO7/JMB.jpg</image:loc>
      <image:title>Journal - September Exhibition Guide 2017</image:title>
      <image:caption>This 1982 artwork by Jean-Michel Basquiat was sold for a record $110.5 million at auction in New York in May 2017. It hadn't been shown in public since a private collector bought it for $19,000 in 1984.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1504664797478-FPP25KENQ59380GB0XOK/csm_HBF_Rist_Jan_Windszus_xl_8fb15483b6.jpg</image:loc>
      <image:title>Journal - September Exhibition Guide 2017</image:title>
      <image:caption>Part of the exhibition ‘moving is in every direction’. Pipilotti Rist, Remake of the Weekend, 1998 © Nationalgalerie im Hamburger Bahnhof, Staatliche Museen zu Berlin, Schenkung der Friedrich Christian Flick Collection / Jan Windszus, Courtesy Pipilotti Rist, Hauser &amp; Wirth and Luhring Augustine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1504664651358-7EBEJBRRHZO9SNQEXHM1/MB_2017_Hard_String_04.jpg</image:loc>
      <image:title>Journal - September Exhibition Guide 2017</image:title>
      <image:caption>Monica Bonvicini 3612,54m³ vs 0.05 m³ Hard String, 2017, © Monica Bonvicini and VG-Bild Kuns Photo: Tobias Hübel Courtesy: the artist and König Galerie, Berlin; Galerie Peter Kilchmann, Zürich; Mitchell-Innes &amp; Nash, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1504664265668-GU8L3DLDKI4S1L4V9Q4G/tumblr_nhu19lI9CM1rf1jvro1_1280.jpg</image:loc>
      <image:title>Journal - September Exhibition Guide 2017</image:title>
      <image:caption>Jean-Michel Basquiat in 1988 (Credit: Julio Donoso/Sygma/Corbis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1504664518986-D4YIXMMTMJV1ZDA3VYSM/the-story-of-marina-ulay_1200x675_nyt-site-1024x576.jpg</image:loc>
      <image:title>Journal - September Exhibition Guide 2017</image:title>
      <image:caption>Marina Abramović and Ulay. Courtesy of the Louisiana Channel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1504666141150-ZH7UEF6CBGF6SUBWYRG6/Murakami_20170602_406.jpg</image:loc>
      <image:title>Journal - September Exhibition Guide 2017</image:title>
      <image:caption>Installation view. Work shown: Takashi Murakami, The Octopus Eats its Own Leg (detail), 2017. Courtesy of the artist and Perrotin. © 2017 Photo: Nathan Keay © MCA Chicago</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/8/3/summer-exhs-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1501756789466-CLS5P4Z2H6I67NQMEQU8/anselm-kiefer-auguste-rodin-rodin-absolution-musee-rodin-paris-france-exposition-2017.jpg</image:loc>
      <image:title>Journal - Unmissable Summer Exhibitions 2017</image:title>
      <image:caption>A. RODIN , L’Absolution. Musée Rodin © Agence photographique du musée Rodin – Pauline Hisbacq.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1501756845824-SNX5P4SZFGCIR5MTUWD9/anselm-kiefer-auguste-rodin-rodin-musee-rodin-paris-france-exposition-2017-2.jpg</image:loc>
      <image:title>Journal - Unmissable Summer Exhibitions 2017</image:title>
      <image:caption>View of the exhibition Kiefer Rodin. Courtesy Musée Rodin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1501756994275-CMY982MG9UTXU1KSC4L1/image-asset.jpeg</image:loc>
      <image:title>Journal - Unmissable Summer Exhibitions 2017</image:title>
      <image:caption>Pablo Picasso, Guernica (1937). Courtesy Museo Reina Sofia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1501758036326-0GX3HQ0TD2IAI83CQS45/image-asset.jpeg</image:loc>
      <image:title>Journal - Unmissable Summer Exhibitions 2017</image:title>
      <image:caption>Lee Krasner, Gaea. 1966. The Museum of Modern Art, New York. Kay Sage Tanguy Fund, Fund, 1977 © 2017 Pollock-Krasner Foundation/Artists Rights Society (ARS), New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1501757136950-JW96HNDOQPJXDALQYZ4J/image-asset.jpeg</image:loc>
      <image:title>Journal - Unmissable Summer Exhibitions 2017</image:title>
      <image:caption>Monument au fantôme (1969–1971) Fondation Dubuffet, Paris. ©2017 Fondation Dubuffet, Paris / Pictoright, Netherlands. Photo Johannes Schwartz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1501756552019-HI9QPB3MW9F2GUHGO9GJ/image-asset.jpeg</image:loc>
      <image:title>Journal - Unmissable Summer Exhibitions 2017</image:title>
      <image:caption>David Hockney, A Bigger Splash, 1967. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1501757308241-S0KT9M13BH5QU8Q47KG3/image-asset.jpeg</image:loc>
      <image:title>Journal - Unmissable Summer Exhibitions 2017</image:title>
      <image:caption>Yayoi Kusama. Infinity Mirrored Room – Gleaming Lights of the Souls. 2008. ©YAYOI KUSAMA. Courtesy of Ota Fine Arts, Tokyo/Singapore, Victoria Miro Gallery, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-03-09-06-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1499035700527-TLX9LFWM1PLG19BU5XXM/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 03 - 09 July, 2017</image:title>
      <image:caption>Fiona Ackerman, 'Yellow Wallpaper'(2017). Image courtesy of the artist and the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1499036690970-MUYNO4ODLR8OOWS95L11/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 03 - 09 July, 2017</image:title>
      <image:caption>Flower petal mirrorball stage prop, 1973 – 5. © Pink Floyd (1987) Ltd</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1499037810008-VE4KD1086579MGAGFVTJ/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 03 - 09 July, 2017</image:title>
      <image:caption>Image via Pexels CC0 License</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1499034001045-F9SFC7R7FN649QPE7CBM/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 03 - 09 July, 2017</image:title>
      <image:caption>Alicja Kwade, Big Be-Hide (2017), Courtesy of the artist and kamel mennour gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1499038452036-GEYANZPZYL38VGGWPL8T/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 03 - 09 July, 2017</image:title>
      <image:caption>Image courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-26-02-2017-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1498424615839-2Z4PIY23728QJMSZW1FY/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 June - 02 July, 2017</image:title>
      <image:caption>Ivan Navarro – Threshold, 2009, from 53rd Venice Biennial. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1498430247584-OOEAQTKOT5MNZJO7QL4Z/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 June - 02 July, 2017</image:title>
      <image:caption>Ludovica Gioscia, 'Infinite Present', 2017 C-print on archival fuji matt paper. Courtesy Ludovica Gioscia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1498429469459-Z4E4X6OPUGFUP63R68EM/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 June - 02 July, 2017</image:title>
      <image:caption>David Batchelor, 'Brick Lane Remix I' (2003), Saatchi Gallery, London. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1498430759701-LCIJ9Q3D4QJ03U98TJ9E/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 June - 02 July, 2017</image:title>
      <image:caption>Sergio Rolim, 'Art of Paris' (2006), Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1498428469952-J8HXLNOQ64H81WWWSSR2/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 26 June - 02 July, 2017</image:title>
      <image:caption>Ian Whittlesea, Becoming Invisible (2017) . Courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/6/11/a-w-d-lndn-19-25-06-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1497855708024-U01RLJU3C3A91JCUN2YS/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 June, 2017</image:title>
      <image:caption>One of the shortlisted artist Amartey Golding, Umbrella (2016) Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1497851284272-67NA5GZKUHKL9DFBWXGH/HEADERNEW_Julia-SH-Perfume-Image.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 June, 2017</image:title>
      <image:caption>Kim Keever, 'Abstract 9318,' 2014, Waterhouse &amp; Dodd</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1497853308570-G8J3FU1T2NGORU3MYROW/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 June, 2017</image:title>
      <image:caption>Christopher Le Brun PRA 'FOLLOW'</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1497854421263-VEBJX6ST405Z4SS1LHB6/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 June, 2017</image:title>
      <image:caption>Daniel Buren with his installation at the Tottenham Court Road tube station. Photo by Benedict Johnson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1497854964941-YXGBDGSXL19RRNH2Z11I/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 19 - 25 June, 2017</image:title>
      <image:caption>Prem Rawat, Gears of Life, Image courtesy of the artist and the gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/6/11/a-w-d-lndn-12-18-06-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1497185916913-MGSQLW9B5YW2EEXH4L6R/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 June, 2017</image:title>
      <image:caption>Sarah Woodburn, 'Carbon Tear' (2017). Courtesy Nunnery gallery, copyright of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1497185410344-WR6TGOAG7QLX2OW2T5UI/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 June, 2017</image:title>
      <image:caption>Fahrelnissa Zeid, 'Atom and Vegetal Life' (1962), five-metre oil on canvas, that was sold for US$2.7 million at Christie’s auction at Emirates Towers in Dubai in 2013. Photo courtesy Christie’s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1497186361502-KBIUUS90UJBLL5I1ZL54/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 June, 2017</image:title>
      <image:caption>Installation view of Found in America with works by Robert Indiana, ‘ONE through ZERO’ (2003) and Dan Flavin, ‘Untitled’ (1969). Image courtesy of the Waddington Custot gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1497186627032-9YYPT2SO7MQY6HTL5XEF/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 June, 2017</image:title>
      <image:caption>Isaac Julien Pas de Deux with Roses (Looking for Langston Vintage Series) 1989-2016. © Isaac Julien Courtesy the artist and Victoria Miro, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1497188077704-9MB56O9E2WGY1GZ5CI9K/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 12 - 18 June, 2017</image:title>
      <image:caption>Sarah Lucas artworks at Disobedient Bodies: JW Anderson curates the Hepworth Wakefield. Photography is by Lewis Ronald.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/6/4/a-w-d-lndn-05-11-06-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1496615074300-6IC1YM8UX572J1HA26QA/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 June, 2017</image:title>
      <image:caption>Vladimir Luppian, Revolution as the stage of Evolution, signed and dated 1924–1961, on sale at MacDougall's</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1496615755805-1ZD1PWKUYFX8BJSH4BWW/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 June, 2017</image:title>
      <image:caption>Alberto Giacometti's distinctive elongated figures at the Tate Modern' Retrospective. Image Courtesy: The Art Partners</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1496612911689-W35065VK1T17Y8FG024U/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 June, 2017</image:title>
      <image:caption>Grayson Perry, Brexit in a pot... Puff Piece (2016) Photograph Stephen White © Grayson Perry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1496616546070-E98GLS2JNCIBLOSYZ1QG/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 05 - 11 June, 2017</image:title>
      <image:caption>'Minimalist Anyway', installation view at White Rainbow, London, 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/30/a-w-d-lndn-30-04-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1496100993088-16CIQOXKDG056XJGQT3I/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 May - 04 June, 2017</image:title>
      <image:caption>Alberta Tiburzi in 'envelope' dress by Cristóbal Balenciaga. Photograph by Hiro Wakabayashi for Harper's Bazaar, June 1967. © Hiro 1967</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1496102094560-TR77YAKYGAA978PCZRK6/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 May - 04 June, 2017</image:title>
      <image:caption>Under the wave off Kanagawa (The Great Wave) from Thirty-six views of Mt Fuji. Colour woodblock, 1831. Acquired with the assistance of the Art Fund</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1496125810913-PN02J5L1IBRAALN0EI5K/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 May - 04 June, 2017</image:title>
      <image:caption>Edward Hopper, Gas, 1940. Collection of Museum of Modern Art , New York. Mrs. Simon Guggenheim Fund, 1943 Photo © 2016. Digital image, The Museum of Modern Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1496103244500-QDJ5LAVIIO2FQOK12SC7/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 30 May - 04 June, 2017</image:title>
      <image:caption>Arthur Lanyon, Executive Monkey, 2016. Courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/14/a-w-d-lndn-15-21-05-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1494769079987-YJ9YRFYW891A2QI09TOZ/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 15 - 21 May, 2017</image:title>
      <image:caption>Le Chateau Rouge No18, 2015 © Martin Essl, courtesy Galerie Esther Woerdehoff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1494770551895-MZA9FG3QOJ5LYODFL7CY/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 15 - 21 May, 2017</image:title>
      <image:caption>Georgia O'Keeffe, Cow's Skull with Calico Roses (detail), 1931. © Georgia O'Keeffe Museum / DACS 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1494776841093-N480WVFRG1DAVJNYICFA/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 15 - 21 May, 2017</image:title>
      <image:caption>Makoto Ofune, Wave 97, 2014. Courtesy of the artist and Olivier Malingue Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1494769936166-ZGLAQL6KYDO70C5WCIFA/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 15 - 21 May, 2017</image:title>
      <image:caption>Juno Calypso, The Honeymoon Suite, Courtesy of the artist and TJ Boulting Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/5/7/a-w-d-lndn-8-14-05-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1494194786355-0DPDIA9GIHVGLUIXW4CD/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 8 - 14 May, 2017</image:title>
      <image:caption>Alberto Giacometti in his studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1494353123126-9HHRAFZO3K7SPO6WG76R/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 8 - 14 May, 2017</image:title>
      <image:caption>Alberto Giacometti, "Femme de Venise", 1956</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1494195007378-484YOLJHGNSDGNYPQ7A4/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 8 - 14 May, 2017</image:title>
      <image:caption>Dina Varpahovsky, Ambergris, 2017. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1494195459269-S80LDZHMBUUOXTGYBIFH/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 8 - 14 May, 2017</image:title>
      <image:caption>Giacomo Balla' Sketch Book 1914</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1494200229549-7H3KYW2L4G0JP38G6BBM/Salome-production-shot-2.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 8 - 14 May, 2017</image:title>
      <image:caption>View during the play 'Salome' directed by Yael Farber at the National Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1494195665126-59BNAJJREGX44J174H40/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 8 - 14 May, 2017</image:title>
      <image:caption>‘Dora Maar’ by Man Ray, one from a set of photographs from Sir Elton John’s vast private collection on display at Tate Modern</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/4/30/a-w-d-lndn-05-1-7-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1493517940226-29DXXJNYV01H5XI6EZTP/image-asset.png</image:loc>
      <image:title>Journal - Art Weekly Digest: London 1 - 7 May, 2017</image:title>
      <image:caption>Diogo Evangelista, No Future in that Place, installation view at Parkour, Lisbon, 2012. Courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1493571882373-U99RSXIK34OWZ32ILJJ5/image-asset.png</image:loc>
      <image:title>Journal - Art Weekly Digest: London 1 - 7 May, 2017</image:title>
      <image:caption>“Bella Donna”, Alexander Naumov’s glamorous cinema poster created in Moscow, 1927</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1493577151489-YFYK63O638XRJG5U7T1L/image-asset.png</image:loc>
      <image:title>Journal - Art Weekly Digest: London 1 - 7 May, 2017</image:title>
      <image:caption>Secundino Hernández, Untitled, 2016. Image Courtesy: the artist and the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1493518384006-8QIGZHGLOT4B3X2Q9RJQ/image-asset.png</image:loc>
      <image:title>Journal - Art Weekly Digest: London 1 - 7 May, 2017</image:title>
      <image:caption>Ashley Bickerton, Orange Shark, 2008. Image courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1493576952689-8BEJ4NUZ5T31FKDWSYTP/image-asset.png</image:loc>
      <image:title>Journal - Art Weekly Digest: London 1 - 7 May, 2017</image:title>
      <image:caption>Image Sourse: the British Library</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/4/23/a-w-d-lndn-24-30-04-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1492968608518-W9PL4L0TB5KUVJ3QGBPW/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 24 - 30 April 2017</image:title>
      <image:caption>Sara Cwynar, Women, 2015. Courtesy the artist, Zabludowicz Collection, and Foxy Production, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1492970249943-49XMAAFI79G5ZKBIFKGE/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 24 - 30 April 2017</image:title>
      <image:caption>Hedley Roberts, Miami Girl (2016) Image Courtesy: the artist and the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1492969397126-I5YYX4I604DBSVZT85GY/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 24 - 30 April 2017</image:title>
      <image:caption>Ely House on Dover Street, Image Courtesy of Charles Saumarez Smith</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1492969103742-J55FKZGASQA5KIBMK2AB/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 24 - 30 April 2017</image:title>
      <image:caption>Barbara as Mélisande at Festival d’Aix-en-Provence (2016), directed by Katie Mitchel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1492969864840-ABWB9JXZJACBSK1ECTZJ/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 24 - 30 April 2017</image:title>
      <image:caption>London’s modern skyline. Photo Credits: THE SUNDAY TIMES</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/4/9/awd-lndn-10-16-04-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1491739705379-HO45HGHU8RD5IJKV66LH/Lucio-Fontana-Spatial-Concept-Expectations-detail-1967.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 10 - 16 April 2017</image:title>
      <image:caption>Lucio Fontana – Spatial Concept; Expectations (detail), 1967 Image Courtesy: of the artist state</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1491740670804-IP1XVF6MFFR3HIEULAY2/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 10 - 16 April 2017</image:title>
      <image:caption>Andy Warhol, Siberian tiger, 1983 Courtesy of Halcyon Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1491781201936-YA7HC4DVDQK2MY5XN8J8/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 10 - 16 April 2017</image:title>
      <image:caption>Don Quixote, Mariinsky Ballet Photo: Viktoria Tereshkina by Natasha Razina</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1491736529915-V4SNM8SXVVQYCYEDZRXN/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 10 - 16 April 2017</image:title>
      <image:caption>Richard Tuttle, The Critical Edge III (2015). Courtesy Pace Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1491737595869-XIUB7SFPF4T4R7L0UU70/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 10 - 16 April 2017</image:title>
      <image:caption>Valentina Kulagina, To the Defence of the USSR, Poster, 1930, Ne boltai! Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/4/2/awd-lndn-3-9-04-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1491162773190-BTRHXLSXQQ4NAZFCTRXG/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 3 - 9 April 2017</image:title>
      <image:caption>Chris Succo, At the Drawing Room, 2016. Image Courtesy: of the artist and Almine Rech Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1491163164254-KKOA4NEGNEEA7WY8QVQR/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 3 - 9 April 2017</image:title>
      <image:caption>Nathan Eastwood, Time Flies When You Having Fun. Image Courtesy: The artist &amp; Sid Motion Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1491165688336-MG5ZGSMWJGXGR1AJ9817/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 3 - 9 April 2017</image:title>
      <image:caption>Istallation view of The American Dream exhibition at the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1491162034550-NAGQ0Y422L2WOQ6J85XJ/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 3 - 9 April 2017</image:title>
      <image:caption>Andrei Tarkovsky 'Stalker'</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1491163779819-YWCKKLLRHLYFNBOCYV09/Mat+Collishaw%2C+The+Centrifugal+Soul%2C+2016%2C+Courtest+the+artist+and+BlainSouthern%2C+Photo+R%C3%A9mi+Chauvin+%285%29.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 3 - 9 April 2017</image:title>
      <image:caption>Mat Collishaw, The Centrifugal Soul, (detail), 2016, Courtesy the artist and Blain|Southern, Photo Rémi Chauvin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/3/26/awd-lndn-27-2-04-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1490553908762-CJO2UOA4UF8RGGRWG0BA/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 March - 2 April 2017</image:title>
      <image:caption>Govinda Sah, Essence, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1490553060957-CHUXX6X1X63QTH160VYF/05_PressImage_l_Roger_Mayne___teenage_night__at_a_Sheffield_Club__1961_584ad3c08896c.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 March - 2 April 2017</image:title>
      <image:caption>Roger Mayne Girls dressed up for a 'teenage night' at a Sheffield Club, 1961 © Roger Mayne</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1490554543898-QS1J8OF76OS7LLCCMDM3/twelfth-night_1280x720.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 March - 2 April 2017</image:title>
      <image:caption>Twelfth Night at The National Theatre. Photo by Marc Brenner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1490552257678-YLO1R3NJ8GGWO4NQ9Q0K/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 March - 2 April 2017</image:title>
      <image:caption>Anish Kapoor, ‘Untitled’ © Anish Kapoor, 2017. Courtesy Lisson Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1490552573309-83MNFDVOO0T08V9IPHQV/TC.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 March - 2 April 2017</image:title>
      <image:caption>Tony Cragg, Caldera, 2008. Photo Michael Richter</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/3/20awd-lndn-20-26-03-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1489929748899-CLWV8TOQVNCXPP2OI5O1/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 26 March 2017</image:title>
      <image:caption>Plastic Show, Installation View at Almine Rech Gallery, Grosvenor Hill</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1489956365865-A71VIR5C2UCEZ7UMQV7H/at-matt-burrows-amazing-show-at-vigo-gallery-mattburrows.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 26 March 2017</image:title>
      <image:caption>Matthew Burrows, Wall 2017. Courtesy: The artist &amp; Vigo Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1489927752260-ZDCQNERBJQ3FTIHE1EIX/HH+now.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 26 March 2017</image:title>
      <image:caption>Howard Hodgkin, Now 2015-2016, Courtesy: The artist &amp; Gagosian Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1489928155112-0OI73NXF80WFUSO6O7Q7/19729obsessione1.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 26 March 2017</image:title>
      <image:caption>Jude Law 'Obsession' at the Barbican, Photo Credit: Jan Versweyveld</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1489927954520-WB9MZVOOFCC5PVU7ZBVA/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 26 March 2017</image:title>
      <image:caption>Alicja Kwade, Medium Median, 2016, Installation View, Whitechapel Gallery. Courtesy: The artist &amp; Whitechapel Gallery Photo: Roman Marz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/3/12awd-lndn-12-19-03-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1489353250562-79T0PFX8Q991T2P39RSC/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 13 - 19 March 2017</image:title>
      <image:caption>© Photos by The Sovremennik Theatre Season</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1489359411527-2AI9ZW2NO0YP5H7J53SH/04_PressImage_l_DBPFP17_l_Taiyo_Onorato_and_Nico_Krebs__Zaha__2013__5836d962ed2a6.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 13 - 19 March 2017</image:title>
      <image:caption>Zaha, 2013 © Taiyo Onorato/Nico Krebs Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1489358936468-FD6KQDHVCKQDKN28WEPB/Stephan+Balkenhol%2C+Man+with+Green+Shirt%2C+2013%2C+Painted+wawa+wood</image:loc>
      <image:title>Journal - Art Weekly Digest: London 13 - 19 March 2017</image:title>
      <image:caption>Stephan Balkenhol,, Man in Reddish Brown Suit, with Plaid Relief (Detail), 2011 © Stephan Balkenhol</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1489353767105-KW8G2K3RXHS6U3KZMPOP/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 13 - 19 March 2017</image:title>
      <image:caption>© David Alan Harvey/Magnum Photos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1489359251475-7V9GJOGSWO94XHVKSIRB/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 13 - 19 March 2017</image:title>
      <image:caption>Installation view ©Photo Lisson Gallery London</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/3/5/awd-lndn-5-12-03-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488634618793-UEP4W57XWOMDYNG65ERZ/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 6 - 12 March 2017</image:title>
      <image:caption>Directed by Alexandra Spencer-Jones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488635018686-JXEU5VOU09JLPARRDGC1/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 6 - 12 March 2017</image:title>
      <image:caption>Richard Serra, NJ-2 (detail), 2016, © Richard Serra. Photo by Mike Bruce</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488633447523-0NKJPN1CIU2Z9FM22DDI/Andrew-Munks-Installation-view-of-If-fish-were-human-2013-Watch-It-gallery-London.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 6 - 12 March 2017</image:title>
      <image:caption>Andrew Munks, Installation view of 'If fish were human', 2013, Watch-It gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488634377915-0YYS4X7QNWSJ3751U042/Power-main.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 6 - 12 March 2017</image:title>
      <image:caption>Neon sign, 1930s, © Science Museum / Science &amp; Society Picture Library -- All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488634812698-4DFJ0WSI1184UT2L8ZS1/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 6 - 12 March 2017</image:title>
      <image:caption>Tania Bruguera, Photo © Serpentine Sackler Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/3/1/twombly-rauschenberg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488443948303-IT0IP289IRDCS9DFS9L4/image-asset.jpeg</image:loc>
      <image:title>Journal - Twombly &amp; Rauschenberg</image:title>
      <image:caption>CORONATION OF SESOSTRIS, PANEL 6, 2000. / (Pinault collection) Photograph© Cy Twombly Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488443906913-QF77ZSG9FFGD8YD7NCH1/image-asset.jpeg</image:loc>
      <image:title>Journal - Twombly &amp; Rauschenberg</image:title>
      <image:caption>CORONATION OF SESOSTRIS, PANEL 5, 2000. / (Pinault collection) Photograph© Cy Twombly Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488443783414-67XN6I3UDHZRFTHQL2AB/55.004.jpg</image:loc>
      <image:title>Journal - Twombly &amp; Rauschenberg</image:title>
      <image:caption>BED, 1955, Combine; The Museum of Modern Art, New York Gift of Leo Castelli in honor of Alfred H. Barr Jr. © 2017 Robert Rauschenberg Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488412414279-N0DA46FVZ3VHY2AU4621/image-asset.jpeg</image:loc>
      <image:title>Journal - Twombly &amp; Rauschenberg</image:title>
      <image:caption>UNTITLED, (PEONY BLOSSOM PAINTINGS), 2007. / Photograph© Cy Twombly Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488412581404-6FBVCPZBPH2DJJFP6N0I/image-asset.jpeg</image:loc>
      <image:title>Journal - Twombly &amp; Rauschenberg</image:title>
      <image:caption>MIRTHDAY MAN [ANAGRAM (A PUN)], 1997, Collection Faurschou Foundation, © 2017 Robert Rauschenberg Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488443450881-ZK5MTI9HEB11TUWB9AGL/Tombly-02.jpg</image:loc>
      <image:title>Journal - Twombly &amp; Rauschenberg</image:title>
      <image:caption>Cy Twombly and Rauschenberg, Rome, 1961 Photo: Mario Schifano, © 2013 Artists Rights Society (ARS), New York/SIAE, Rome</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/2/26/awd-lndn-27-5-03-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488145756274-WEDKN76I3GK1CIU3S2YV/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 February - 5 March 2017</image:title>
      <image:caption>David Hockney, English, born 1937, American Collectors (Fred and Marcia Weisman) 1968, Restricted gift of Mr. and Mrs. Frederic G. Pick © David Hockney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488149644004-OEQP2R199MNQ2W52O4QK/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 February - 5 March 2017</image:title>
      <image:caption>Red, Green and Yellow (1967), John Latham. The John Latham Estate, Courtesy Lisson Gallery, Photo: Ken Adlard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488149794803-JU8QOW0UZNTJC2HQ4OUL/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 February - 5 March 2017</image:title>
      <image:caption>Dina Korzun in one of Maria Grachgovel design's, photo was taken from Vogue article</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488149668432-ZOXEPX9NA1AQ82G9CMTM/Screen+Shot+2017-02-27+at+01.12.44.png</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 February - 5 March 2017</image:title>
      <image:caption>Installation view of Virginia Jaramillo exhibition at Hales Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1488149705329-AH39RJ8LICSZD5GWZYV8/malevich.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 27 February - 5 March 2017</image:title>
      <image:caption>Kazimir Malevich, Head of a Peasant, c. 1929. Photo © 2016, State Russian Museum, St. Petersburg.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/2/19/awd-lndn-20-27-201702</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1487578350367-FFJEKUAY1QJWD6E7XCNV/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 27 February 2017</image:title>
      <image:caption>John Baldessari, Necessary, 2016. Copyright John Baldessari, courtesy the artist and Marian Goodman Gallery, New York, Paris &amp; London, photography Joshua White</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1487533456934-L8G690WV4VFUMC53A8U8/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 27 February 2017</image:title>
      <image:caption>Tsuyoshi Maekawa, Mannaka Tate no Blue (A18), 1964 © of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1487578964662-N5ONAWXLMIT36AY3OI77/Image-2.-Paolozzi-Real-Gold-1972.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 27 February 2017</image:title>
      <image:caption>Eduardo Paolozzi, Real Gold (from the Bunk! portfolio), 1972; © Trustees of the Paolozzi Foundation, licensed by DACS</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1487576374802-FHDPM8ZWPZ3K8BW2JDT4/Sergei+Polunin+for+Vogue+Hommes+-+Photo+Mario+Sorrenti.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 27 February 2017</image:title>
      <image:caption>Sergei Polunin for Vogue Hommes - Photo by Mario Sorrenti</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1487576891567-UM206ZOG7SNLFIOU0YOP/front_hi-res_1024x1024.jpg</image:loc>
      <image:title>Journal - Art Weekly Digest: London 20 - 27 February 2017</image:title>
      <image:caption>Documents of Contemporary Art: Boredom, edited by Tom McDonough, courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2017/2/11/awd-lndn-13-19-02-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1486837593030-Q1G6V0NRMF5BOHUKD5PV/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest:  London 13 - 19 February 2017</image:title>
      <image:caption>Photograph by Annie Leibovitz, courtesy Mikhail Baryshnikov</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1486837219974-R0E15L9WJELOQHKZU87L/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest:  London 13 - 19 February 2017</image:title>
      <image:caption>Wolfgang Tillmans, Lampedusa, 2008© of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1486837325440-5LLLTTD5F06P6HUTRNB8/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest:  London 13 - 19 February 2017</image:title>
      <image:caption>Rachel Feinstein, The Shack, 2001 in Room exhibition at Sadie Coles HQ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1486837667918-ZUM60P41PWQYJ763M3GL/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest:  London 13 - 19 February 2017</image:title>
      <image:caption>Alice Hartley, Please Leave, 2016-17 at Pi Artworks London Strike Site</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1486837753717-S5LZYBKX990AUHQH6C9Q/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Weekly Digest:  London 13 - 19 February 2017</image:title>
      <image:caption>Kuzma Petrov-Vodkin, Fantasy, 1925, © 2016, State Russian Museum, St. Petersburg.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/12/19/top-encounters-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1482152022069-C7W1XV1B3NORGYO97HXF/image-asset.jpeg</image:loc>
      <image:title>Journal - Top Encounters 2016</image:title>
      <image:caption>Hieronymus Bosch (circa 1450–1516) 'The Garden of Earthly Delights' (between 1480 and 1505)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1482153225461-M6NTP1Y68BMK4LK2ARX4/image-asset.jpeg</image:loc>
      <image:title>Journal - Top Encounters 2016</image:title>
      <image:caption>Installation view of 'Inside David Bowie’s Private Collection' at Sotheby's. photograph courtesy of Sotheby's</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1482153757241-RBQD5SJ1ND5X3OI2KVMM/image-asset.jpeg</image:loc>
      <image:title>Journal - Top Encounters 2016</image:title>
      <image:caption>Bernhard Frize 'Puxo' 2011. Courtesy of me Collectors Room</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1482152117516-AJG0IS7LOTQ8V3BXH5W0/image-asset.jpeg</image:loc>
      <image:title>Journal - Top Encounters 2016</image:title>
      <image:caption>Hilma af Klint: Painting the Unseen Installation view Serpentine Gallery, London Image © Jerry Hardman-Jones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1482152562328-AJM909LUWD1OIRTWKMQF/image-asset.jpeg</image:loc>
      <image:title>Journal - Top Encounters 2016</image:title>
      <image:caption>Venere degli stracci / Venus of the Rags (1967 – 2014) by  Michelangelo Pistoletto. Photo Tom Lindboe, courtesy of Blenheim Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1482152435413-LTRATO47H3IBY5HVDWFQ/image-asset.jpeg</image:loc>
      <image:title>Journal - Top Encounters 2016</image:title>
      <image:caption>Ugo rondinone thanx 4 nothing installation vidéo noir et blanc 14 min 2015  © ugo rondinone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1482152186850-E5U7L0G7YSJ16F2IA4IA/kusama.jpg</image:loc>
      <image:title>Journal - Top Encounters 2016</image:title>
      <image:caption>Yayoi Kusama Chandelier of Grief, 2016 Installation © Yayoi Kusama</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1482151768495-H5YFU6YW4R8JRWSI2U3R/Mujer+sentada+y+ni%C3%B1o+1967+Fundaci%C3%B3n+Joan+Mir%C3%B3.jpg</image:loc>
      <image:title>Journal - Top Encounters 2016</image:title>
      <image:caption>Mujer sentada y niño 1967 Fondation Joan Miró</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1482153300280-FLE7D3A9WJ8ZK5D2NY6A/image-asset.jpeg</image:loc>
      <image:title>Journal - Top Encounters 2016</image:title>
      <image:caption>Joan Mitchell Salut Tom, 1979. © Estate of Joan Mitchell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1482152996602-Z5Z0PYSHBGSTJSHP8XJR/matisee.jpg</image:loc>
      <image:title>Journal - Top Encounters 2016</image:title>
      <image:caption>Henri Matisse, La Danse (1909-1910). Courtesy of Fondation Louis Vuitton and The State Hermitage Museum, Saint Petersburg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1482154134951-6VQKMFF11E7VO6H2W49E/image-asset.jpeg</image:loc>
      <image:title>Journal - Top Encounters 2016</image:title>
      <image:caption>Inside view of the Design Museum new building. Photograph courtesy of Gareth Gardner</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/12/9/interview-artive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1481285170905-H8VQIKH2EP70789NLYCL/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Database for everyone: Artive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1481284819154-9PT0ZRL08Q75YP5QJYQE/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Database for everyone: Artive</image:title>
      <image:caption>Maria Korolevskaya, Anastasia Petrovskaya (The Art Partners) and Ariane Moser (Artive)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1481308613843-66QPXZXY44J1UIJTSK37/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Database for everyone: Artive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1481308769062-J5P6L1LC69XNZFZE2Z7T/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Database for everyone: Artive</image:title>
      <image:caption>Ariane Moser (Artive)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/25/miami-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1480071742779-YRKDG2E9G9020ECLWZ6B/image-asset.jpeg</image:loc>
      <image:title>Journal - Miami 2016</image:title>
      <image:caption>Susan Hiller, Wild Talents, 1997 Video installation: two channel video projection, with sound, one black-and-white video, monitor, chair, and votive lights. Dimensions variable. © Susan Hiller. Courtesy Lisson Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1480072767970-Q2R2I6W7ILHVWSWO6TL6/image-asset.jpeg</image:loc>
      <image:title>Journal - Miami 2016</image:title>
      <image:caption>Antuan Rodriguez 'MANTRA' 2015. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1480074126369-6NO5Y1RTPSVDO1V37LNL/image-asset.jpeg</image:loc>
      <image:title>Journal - Miami 2016</image:title>
      <image:caption>Frank Benson, ‘Juliana’, 2015 | Courtesy New Museum, New York. © Benoit Pailley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1480072251801-1LTZOSZS2M8DB62O0DMP/image-asset.jpeg</image:loc>
      <image:title>Journal - Miami 2016</image:title>
      <image:caption>Ugo Rondinone 'seven magic mountains' in the Nevada desert. Photo by Gianfranco Gorgoni /courtesy of art production fund and Nevada museum of art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1480071626041-97GGTH5NIXG1FZASVW9Q/image-asset.jpeg</image:loc>
      <image:title>Journal - Miami 2016</image:title>
      <image:caption>Julio Le Parc, Cloison à lames réfléchissantes (Partition with Reflective Strips), 1966/2005 Painted wood and stainless steel. 90 1/2 x 104 x 31 1/2 inches. Julio Le Parc © 2016 Artists Rights Society (ARS), New York / ADAGP, Paris. Photo: André Morin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1480073253316-9ZSFKUDRNEOBT5VVH4TN/image-asset.jpeg</image:loc>
      <image:title>Journal - Miami 2016</image:title>
      <image:caption>Maria Magdalena Campos Pons, Untitled, 2013 Courtesy Galleria Pack</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/art-exhibitions-november</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478697978388-F1TW7D7P2A530I5Q9CNV/image-asset.jpeg</image:loc>
      <image:title>Journal - Exhibitions in London November 2016</image:title>
      <image:caption>Nuit de Noël (Happy Club), 1963 (c) Malick Sidibé. Courtesy Galerie MAGNIN-A, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478857502699-NPYIYRAXZ0IRLAY7Q05X/image-asset.jpeg</image:loc>
      <image:title>Journal - Exhibitions in London November 2016</image:title>
      <image:caption>Sam Sherman, You Can’t Hurry Love, 2010, Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478857566333-OP6QUJ6N53NZ7YOVOIAI/image-asset.jpeg</image:loc>
      <image:title>Journal - Exhibitions in London November 2016</image:title>
      <image:caption>Donna Huanca, SCAR CYMBALS, 2016, installation view. Photo: Thierry Bal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478857545998-0UPWZ58BTU08SNQA8RC4/image-asset.png</image:loc>
      <image:title>Journal - Exhibitions in London November 2016</image:title>
      <image:caption>Maria Nepomuceno, Tempo para Respirar (Breathing Time), Turner Contemporary, Margate. Photography: Stephen White.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478857479322-RR67P24OLVI2VTV1FTWB/image-asset.jpeg</image:loc>
      <image:title>Journal - Exhibitions in London November 2016</image:title>
      <image:caption>Magnus Plessen, Untitled (23), 2016, Image courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/pistoletto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478697676861-M2M456ND0V5VK1STMXZI/image-asset.jpeg</image:loc>
      <image:title>Journal - Pistoletto</image:title>
      <image:caption>'Standing Man' (1962,1982), © Michaelangelo Pistoletto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478697542142-XY4IHR4DOLRN8DMHUHWH/image-asset.jpeg</image:loc>
      <image:title>Journal - Pistoletto</image:title>
      <image:caption>'The Third Paradise' 2010. Photo courtesy of Fondo Ambientale Italiano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478697614293-MQWT5V3HNT0PA7KVIN5T/image-asset.jpeg</image:loc>
      <image:title>Journal - Pistoletto</image:title>
      <image:caption>Michelange Pistoletto, photo courtesy of Pistoletto Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1486853608128-PK1VYKNWN3GXFHEPCIMR/image-asset.jpeg</image:loc>
      <image:title>Journal - Pistoletto</image:title>
      <image:caption>'The Third Paradise' (2003-16), © Michaelangelo Pistoletto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478857176965-P7CNHUUO9TMG3Z07RWMI/image-asset.jpeg</image:loc>
      <image:title>Journal - Pistoletto</image:title>
      <image:caption>'Venus of rags', 1974 © Michaelangelo Pistoletto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1486853537472-T1EA1ASQNCLRQ9X1WNYF/image-asset.jpeg</image:loc>
      <image:title>Journal - Pistoletto</image:title>
      <image:caption>Michelangelo Pistoletto at his solo show at VNH Gallery, Paris.Image courtesy of the artist and the gallery. Photography by Philippe Servent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1486853570322-XR2GHJ7W9BL5ZFVXPLOH/image-asset.jpeg</image:loc>
      <image:title>Journal - Pistoletto</image:title>
      <image:caption>Respect exhibition at VNH Gallery, Paris. Image courtesy of the artist and the gallery. Photography by Philippe Servent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1486853637607-4M8ESM5ZC8EFY6ZAIA6G/image-asset.jpeg</image:loc>
      <image:title>Journal - Pistoletto</image:title>
      <image:caption>'Does God Exist, Yes I Do!' (1978-2016) © Michaelangelo Pistoletto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478857154657-O5SS87JW65IPKETA1HB7/image-asset.jpeg</image:loc>
      <image:title>Journal - Pistoletto</image:title>
      <image:caption>'Ti Amo' 2016 © Michaelangelo Pistoletto</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/artistic-duos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478830784626-U4JNAA80HGDCFUFFA81P/image-asset.jpeg</image:loc>
      <image:title>Journal - Artistic Duos</image:title>
      <image:caption>Portrait of Emma Biggs and Matthew Collings, courtesy of The Art Desk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478696815800-PC3D3I3J3V92FBT1LCFQ/image-asset.jpeg</image:loc>
      <image:title>Journal - Artistic Duos</image:title>
      <image:caption>Mwangi Hutter, 'Points of a view', 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478830728208-7SC5IVK2OSTB0JTQYGZ0/image-asset.jpeg</image:loc>
      <image:title>Journal - Artistic Duos</image:title>
      <image:caption>Portraits of artists Sarah Parke and Mark Barrow, courtesy of Architectural Digest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478830749468-R5GIJYCPKKF6MLL30DZY/image-asset.jpeg</image:loc>
      <image:title>Journal - Artistic Duos</image:title>
      <image:caption>Mark Barrow and Sarah Parke, detail of 'Reweave 7', 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478696872691-1JYW71YPU2RXEN8IAEMD/image-asset.jpeg</image:loc>
      <image:title>Journal - Artistic Duos</image:title>
      <image:caption>Mwangi Hutter, 'Embracing the moon', 2016, courtesy of Mariane Ibrahim Gallery and the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478696771004-ELS358HXWTAJJU8BVIHS/image-asset.jpeg</image:loc>
      <image:title>Journal - Artistic Duos</image:title>
      <image:caption>Creation of a utopian city resembling “The City of the Sun” at the Grand Palais in 2014. Image courtesy of artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478696718492-I2NURPELO7KEZNUTCTWT/image-asset.jpeg</image:loc>
      <image:title>Journal - Artistic Duos</image:title>
      <image:caption>Portrait for Ilya &amp; Emilia Kabakov, courtesy of Pace Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478830803961-ZRJDR6R53X42JKUMDS6B/image-asset.jpeg</image:loc>
      <image:title>Journal - Artistic Duos</image:title>
      <image:caption>Biggs Collings, 'Eleven Stars', 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/10/selection-of-private-art-collections-in-berlin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478820119284-0ZZ0DY1AXUB581ZEI8RU/Thomas+Ruff+%E2%80%93+Stern+13+h+18m+-60%C2%B0%2C+1992.JPG</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Thomas Ruff, Stern 13 h 18m/ 60°, 1992. (Image courtesy of The Art Partners)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478819857246-T4MGY9ZM8KYT3OARS5WF/Ali+Banisadr%2C+Foreign+Lands%2C+2015.jpg</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Ali Banisadr, Foreign Lands, 2015 from 'My Abstract World' exhibition, Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478820024293-J1JQSAJ7LCIRPCFNQGGJ/Photograph+by+Wolfgang+Stahr_laif_Redux.jpg</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>View on the bunker and penthouse, where collectors live. Photograph by Wolfgang Stahr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478824788635-PJXGW2P12TTR4S4GCHTN/D%C3%A9sir%C3%A9+Feuerle+Photo+Mark+G.+Peters+via+The+Feuerle+Collection.jpeg</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Désiré Feuerle. Photograph by Mark G. Courtesy of The Feuerle Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478824433272-WKEQFGLMQDPIMLL3UXY4/Welt+am+Draht+%C2%A9+Julia+Stoschek+Collection.jpg</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Welt am Draht exhibition, ©Julia Stoschek Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478819917144-G7N2DHWPWRBSTODGO524/BOROS_02_.jpg</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Christian and Karen Boros. Photography by Wolfgang Stahr. Courtesy of the Boros Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478824761788-ZGT0Y4WYISJCWQC5KLZQ/Hallesches_Ufer_09+contemporary+artists+like+John+Cage+and+Anish+Kapoor+mixed+with+Imperial+Chinese+furniture+and+Southeast+Asian+art.jpg</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Feuerle Collection. © John Pawson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478819841791-GDTOLXT1EHSGWADPKZUH/ME+Collectors+Room+Berlin+Stiftung+Olbricht%3B+Photo+of+Thomas+Olbicht+by+Jana+Eber.jpg</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Collector Thomas Olbicht. Photograph by Jana Eber. Courtesy of ME Collectors Room Berlin/Stiftung Olbricht</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478819789765-1HXNM12NUG972AHFS169/Portrait+of+Erika+Hoffmann-Koenige+%C2%A9Erika+Hoffmann.+Courtesy+of+Hoffmann+Collection..jpg</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Portrait of Erika Hoffmann-Koenige ©Erika Hoffmann. Courtesy of Hoffmann Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478824523527-6UFR061CYNKDPYD4HTR5/Hallesches_Ufer_09+contemporary+artists+like+John+Cage+and+Anish+Kapoor+mixed+with+Imperial+Chinese+furniture+and+Southeast+Asian+art.jpg</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Installation view of Feuerle collection. Photograph by Nic Tenwiggenhorn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478827410436-C8E59XEBSDDTR6L51SZS/Chiharu+Shiota%2C+Inside+-+Outside%2C+2009%2C+courtesy+of+Sammlung+Hoffmann+Collection</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Chiharu Shiota, Inside - Outside, 2009, courtesy of Sammlung Hoffmann Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478824727393-O8I8W8HUDDQSZWD7HH3Z/We+the+people+%28detail%29%2C+Danh+Vo%2C+2011.JPG</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Dahn Vo, We the people (detail), 2011. (Image courtesy of The Art Partners)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478824466950-M9O8O4WTWNGC77K1K2MV/Julia+Stoschek+photograph+by+dpa.jpg</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Collector Julia Stoschek, photograph by dpa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478824885585-QVOMK2RCCBN9U0WKQH7G/me+collectors.JPG</image:loc>
      <image:title>Journal - Selection of Private Art Collections in Berlin</image:title>
      <image:caption>Installation view of 'My Abatract World' exhibition at me Collectors Room. (Image courtesy of The Art Partners)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/10/art-moscow-2016-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478824128098-3NEIACOPT5KJHKK94OHA/2016-architectural-landscape_tempera-on-canvas_400x450_lh4a9266_small.jpg</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Valery Koshlyakov 'Architectural landscape' 2016. (Image courtesy of The Art Partners)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478823731871-PH3GLS456F71RNHU8QOO/The-Museum-of-Russian-Impressionism.jpg</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Russian Impressionism Museum designed by John McAslan + Partners (image courtesy Anna Labzina)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478824029212-M54REFUICAFV9H6CC8OE/balkenhol1.png</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Stephan Balkenhol 'Teddy Bear and Man'. (Image courtesy of The Art Partners)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478823681330-0PYUT3I8NKVPJAWYYYK0/Sveta+Shuvaeva+C.jpg</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Solo booth by artist of the year Sveta Shuvaeva supported by Vladimir Smirnov and Konstantine Sorokin Foundation. (Image courtesy of Liza Borovikova)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478823642804-QXKCMOG34CAW6U4R02T5/gallerie+Iragui_Georgy+Litichevsky_Dance+of+the+knights%2C+2012+%28Discovery+section%29.jpg</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Georgy Litichevsky 'Dance of the knights', 2012 at Discovery section. (Image courtesy of the artist and Galerie Iragui)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478823920059-VD9DDJA287H4NEMH9PWE/coss.jpg</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Cosmoscow 2016. (Image courtesy of The Art Partners)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478823983457-SFIYIPO3ONKW0SWE9FNT/Yuri+Avvakumov.+Black+bone+mausoleum.+Homage+to+architect+A.+Schusev.+2008.+The+symbol+of+the+totalitarian+Soviet+empire+was+built+from+3500+dominoes..png</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Yuri Avvakumov. 'Black bone mausoleum. Homage to architect A. Schusev.' 2008. The symbol of the totalitarian Soviet empire was built from 3500 dominoes. (Image courtesy of The Art Partners)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478822949209-EYA64JU8DACKOHRZH91W/TAP.jpg</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Maria Korolevskaya and Anastasia Petrovskaya (The Art Partners)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478823809052-HOSPVQ0BBBSFM27CNOTX/Slonov+11_12+Gallery.jpg</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Vasily Slonov 'Kokosnik - Gas Mask "Rubber Primrose" ', 2016 at 11.12 Gallery. (Image courtesy of Liza Borovikova)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478823016315-TFY8VYV07682YGF7CIUL/%D1%80%D1%83%D1%81%D1%81%D0%BA%D0%B8%D0%B9+%D0%BA%D0%BE%D1%81%D0%BC%D0%BE%D1%81.jpg</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>'Russian Space' exhibition at MAMM. (Image courtesy of The Art Partners)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478823064452-Y44NKVZ5L0D0O2L6P9RX/%D1%80%D1%83%D1%81%D1%81%D0%BA%D0%B8%D0%B9+%D0%BA%D0%BE%D1%81%D0%BC%D0%BE%D1%81+%D0%B8%D0%BD%D1%81%D1%822.jpg</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Installation view of 'Russian Space' at MMAM. (Image courtesy of The Art Partners)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478823954466-34UQEUTI5GZYFG2EMJ2Q/russian+space.png</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>ABC group 'Satellite' 2009. Image courtesy of The Art Partners</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478824152010-LKJXOZ38AL3WVOK10C6H/cosmoscow_Alexander+Dashevskiy+Fallen+and+the+dropped+out+%2C+2016.jpg</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Alexander Dashevsky 'Fallen and the dropped out' , 2016. (Courtesy of the artist and Anna Nova Gallery)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478822968587-O7FU4PB573UTXS45IBS1/chtak1.png</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Installation view of Valery Chtak. In my case by no means. (Image courtesy of The Art Partners)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478824077807-SJ6Q8SWS65FJKSX9Q9HB/balkenhol2.png</image:loc>
      <image:title>Journal - Art Moscow 2016</image:title>
      <image:caption>Stephan Balkenhol 'Big Hed with Human Figure'. (Image courtesy of The Art Partners)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/10/the-art-partners-highlights-from-the-art-basel-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478858891580-XRUNM0L4X37BSOBYZQOT/kunstmuseum.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Kunstmuseum Basel, © Derek Li Wan Po, Basel (image courtesy of ArchDaily)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478857892504-3RIBS9VL1NL4V5GIRJP1/Alexander-Calder-Fischli-Weiss-installation-view-at-Fondation-Beyeler-Riehen-2016.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Installation view of the exhibition “Alexander Calder &amp; Fischli/Weiss”, Fondation Beyeler, Riehen/Basel, 2016; © Peter Fischli David Weiss / 2016 Calder Foundation, New York / ProLitteris, Zurich Photographs by Mark Niedermann (courtesy of Artribune)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479132299655-09AU4KRVMR1J2E65MMV5/Konig+Gallery+Alicja+Kwade+Out+of+Ousia+2016+Unlimited.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Alicja Kwade Out of Ousia, 2016 at Unlimited Section</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479132223676-3SZHH8I0OQZCMZK3DGKL/08_Schaudepot_exhibition_high_compressed.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Inside Schaudepot, Basel's Vitra Design Museum (image courtesy of Archilovers)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479132095446-M6PU0D436ZSIZ0MTWLT1/elan.JPG</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>El Anatsui's Gli (Wall), 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478860149347-6K90J921YFNT15TLJ215/A+restaging+of+a+1972+Jannis+Kounellis+performance+at+the+booth+of+Luxembourg+%26+Dayan.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>15-minute performance at Luxembourg &amp; Dayan Booth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478858619510-08KWP36XMQ9FDAFT8YGY/collectors+house.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Hans Op de Beeck’s The Collector’s House</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478858702834-WZVUPLS8STSDTH6IHDJM/Katharina+Grosse+o.+T.+2015.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Katharina Grosse o. T., 2015 (image courtesy of Artsy)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479132172247-ESASZA214CAJPJMTXPSY/Julian+Schnabel+Ascension+IA%2C+2015.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Julian Schnabel Ascension IA, 2015 (image courtesy of Artsy)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859029019-A0Z0BI693863Q9CG3PR3/Metro+Pictures+Cindy-Sherman-Untitled-2016.png</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Cindy Sherman Untitled 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479132201883-XH2IBG7G64VEDH7O22CS/alexander+calder+%2B+jean+tinguely+kunstmuseum.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Installation view of sculptures by Jean Tinguely and Alexander Calder</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479132279076-33Y3IIB7Q7X9ECK478YF/chiharu+shiota.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Chiharu Shiota ‘Accumulation: Searching for Destination’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478858689628-BETGBFLNAPTR6V0D5SL9/koenig+gallery+booth.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Installation view of works by David Zink Yi, Katharina Grosse and Claudia Comte</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479132142399-ZXDV9F0BSPBVIRGM0HRU/Matthias+Bitzer+Orchid+2016.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Matthias Bitzer Orchid, 2016 (image courtesy of Artsy)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859078090-9IKR5H8ICI4O5U9RP0UV/Installation+view+of+works+by+Julian+Schnabel+at+Pace+Gallery%E2%80%99s+booth+at+Art+Basel%2C+2016.2.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Installation view of works by Julian Schnabel at Pace Gallery’s booth at Art Basel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859052451-AZP5ADAW30R457JQBPCH/marianneb.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Installation view of works by Donald Moffett and Piere Polo Calzolari (image courtesy of Marianne Boesky)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859002188-UXHIWUPKDT21M77BJY7C/Leonardo+Ulian+Technological+mandala+91+-+Come+in+alto+cos%C3%AC+in+basso%2C%2C+2016.jpg</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Leonardo Ulian Technological mandala 91 - Come in alto così in basso, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478857706786-7VCPWGC5IT35RGJUWY37/ai+wei+stella.png</image:loc>
      <image:title>Journal - The Art Partners' highlights from the Art Basel 2016</image:title>
      <image:caption>Installation view of works by Ai Weiwei (neugerriemschneider) and Frank Stella (Marianne Boesky Gallery, Dominique Lévy Gallery, Sprüth Magers)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/14/5-questions-to-bernadine-brocker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479176758674-BPTJKXG7D5O400SK1WDF/image-asset.jpeg</image:loc>
      <image:title>Journal - 5 Questions to Bernadine Bröcker</image:title>
      <image:caption>Bernadine Brocker, Vastari Group’s CEO and Francesca Polo, Vastari Group Executive Director</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479177417288-NOKLLH4Y2M6M0HGQGUQU/1-hirshhorn-museum-and-sculpture-garden.jpg</image:loc>
      <image:title>Journal - 5 Questions to Bernadine Bröcker</image:title>
      <image:caption>Hirshhorn Museum, Washington DC, 'Through my fish eye' Photo © Pablo Raw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479176942137-9KGGM7B8VBZW1D4ZZDPP/image-asset.jpeg</image:loc>
      <image:title>Journal - 5 Questions to Bernadine Bröcker</image:title>
      <image:caption>Jeanne-Marguerite Lecadre (Lady in a Garden) by Claude Monet, 1867 Photo © The State Hermitage Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/10/hong-kong-art-basel-2016-art-diary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859966867-8PAEG271WBGTMSCMTH1D/6+Olafur+Oliason.jpg</image:loc>
      <image:title>Journal - Hong Kong Art Basel 2016 Art Diary</image:title>
      <image:caption>Olafur Eliasson's installation at Neugerriemschneide</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859536970-XNSB8AZ5UXUQT68HOYCS/1+Isaac+Julien+and+HK+Art+Basel.jpg</image:loc>
      <image:title>Journal - Hong Kong Art Basel 2016 Art Diary</image:title>
      <image:caption>Isaac Julien Mise-en-scene (Ten Thousend Waves) at Roslyn Oxley9 Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859764105-U9QIPUPHMRK8PXBGLGPH/5+Tatsuo+Miyajima+at+SCAI+gallery+from+Tokyo.png</image:loc>
      <image:title>Journal - Hong Kong Art Basel 2016 Art Diary</image:title>
      <image:caption>Tatsuo Miyajima at SCAI gallery (Tokyo)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479119558176-PYMDEM7B5LRYGQP70OD7/image-asset.png</image:loc>
      <image:title>Journal - Hong Kong Art Basel 2016 Art Diary</image:title>
      <image:caption>Tiziana des Pallieres, Tracey Emin and Maria Korolevskaya at Lehmann Maupin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859875580-MHYZPTX5S329PCKV5V2F/7+Thomas+Saraceno.jpg</image:loc>
      <image:title>Journal - Hong Kong Art Basel 2016 Art Diary</image:title>
      <image:caption>Thomas Saraceno at Esther Scipper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859935380-O8OFYNDUY7DBFA7HQ3JK/8+Coen+Young+at+Jensen+Gallery+from+Sydney.jpg</image:loc>
      <image:title>Journal - Hong Kong Art Basel 2016 Art Diary</image:title>
      <image:caption>Coen Young at Jensen Gallery (Sydney)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859903673-DJGMI7QW6MR27OVF8O8S/image_1.jpg</image:loc>
      <image:title>Journal - Hong Kong Art Basel 2016 Art Diary</image:title>
      <image:caption>Maria Korolevskaya in front of Wooden Star I by Frank Stella at Marianne Boesky Gallery (New York), Art Basel Hong Kong</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478860000170-7IBGQEM2QPODJ1F12ZDL/image_1.jpg</image:loc>
      <image:title>Journal - Hong Kong Art Basel 2016 Art Diary</image:title>
      <image:caption>Frank Stella The Wooden Star I at Marienne Boesky booth, Art Basel Hong Kong</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859730447-Z6HZ6R2OK3WVAFZMDO1P/4+Lina+Ben+Rejeb+at+Selma+Feriani.jpg</image:loc>
      <image:title>Journal - Hong Kong Art Basel 2016 Art Diary</image:title>
      <image:caption>Lina Ben Rejeb and Nidhal Chamekh Comme Il Vous Plaira (As you like it) at Selma Feriani’s booth, Art Basel Hong Kong</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478859843969-2MVGF4R8HIMJXE8WPJEL/9+Blakhat+Preview.jpg</image:loc>
      <image:title>Journal - Hong Kong Art Basel 2016 Art Diary</image:title>
      <image:caption>Blakhat Mao</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/11/art-paris</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133448097-T56NXVS3BQUJXWLTLI7U/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Exhibition view of Miquel Barceló, 'Sol y sombra', Picasso Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133947995-FPHLGTCXNE0WCPROOWY9/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Installation view of 'Bentu: Chinese artists in a time of turbulence and transformation', Louis Vuitton Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133367137-3GB9CXLSZCU380HCO6EN/FullSizeRender.jpg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Exhibition view, ‘Picasso. Sculptures’, Picasso Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133196990-CEW13BVVP0E5K5LTFH0C/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Exhibition view of Friedrich Kunath, 'My Loneliness Shines', VNH Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133285736-9BPXSJQ9V4J2O92SU5H5/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Exhibition view of Markus Schinwald, 'Mystere', Thaddeus Ropac</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479132606517-N13GMM3E8REA2E2WWZTN/DSC_9306.jpg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Anastasia Petrovskaya and Maria Korolevskaya</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479134614916-2XC5AZQ4WZBXBI5OY6VG/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Installation view of 'Bentu: Chinese artists in a time of turbulence and transformation', Louis Vuitton Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479132582606-SP19H9CGDNFO20032U2D/Gallery+Simon_Moon+Beom_Slow%2C+Same+2006.jpg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Moon Beom Slow, Same (2006), Gallery Simon, Art Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479134431033-YQ9GW1D2SKU9OTH330S0/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Grethe Sorensen Times Square in a Rush 7 (2011), Maria Wettergren Gallery, PAD</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133998262-XAEI7EJI9WZGL7QGT9VN/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Exhibition view of Helena Almeid, 'My work is my My Body', Jea de Paume</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133873648-U60IBRRSW5OVK0ZFNOHB/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Salon du Dessin 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133811031-VIUH5SXFMFBMG34B6TN8/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Exhibition view of Jean-Michel Alberola, 'L’aventure des détails', Palais de Tokyo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133494735-09DWMBLE1FGF3A7VR5VU/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Exhibition view, ‘Picasso. Sculptures’, Picasso Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133744614-TUR8WSQMXX5SLDUEEE2O/IMG_2073.JPG</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Exhibition view of Florian et Michael Quistrebert, 'The Light of the light', Palais de Tokyo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133659105-PH9TZBXLNUAYP463T1R9/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133027749-1GSGNJ4ZT046OF0KEDNV/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Exhibition view of Friedrich Kunath, 'My Loneliness Shines', VNH Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479134174551-ILYNNJEQIRJXDSR0PWSW/Gallery+Simon_Airan+King_Lighting+Book+2015.jpg</image:loc>
      <image:title>Journal - Art Paris - Gallery Simon, Airan King 'Lighting Book' 2015</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479134246736-2Q1AEDQ9EXHS0Z1OQJ60/Galerie+Cedric+Bacqueville_Raphael+Denis_Vernichtet+2015.jpg</image:loc>
      <image:title>Journal - Art Paris - Galerie Cedric Bacqueville, Raphael Denis 'Vernichtet' 2015</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479134207425-VBAQ6J4GDWSE740ZCTV7/Kalman_Chung+Kwan+Young_Aggregation+15.jpg</image:loc>
      <image:title>Journal - Art Paris - Kalman, Chung Kwan Young 'Aggregation 15'</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479134037074-C63Q5GFBY32Z1N8L4GLC/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Exhibition view of Jean-Michel Alberola, 'L’aventure des détails', Palais de Tokyo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133549395-S5IY3XKDJG2SKXCMF0HG/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Installation view, Zadkine Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133238856-5EXA67Z7C3WEUNFXW6EF/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Installation view of Maurizio Cattelan &amp; Pierpaolo Ferrari, ‘SELETTI wears TOILETPAPER’, Perrotin Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479133853221-YW66UCTP8FQR0L7YG2KW/image-asset.jpeg</image:loc>
      <image:title>Journal - Art Paris</image:title>
      <image:caption>Installation view of gallery Sèvres' booth at PAD</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/14/conrad-carvalho-on-art-competitions-and-ashurst-emerging-artist-prize</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479178472087-ST6VYRLD8SIZFXS53NWD/us.jpg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize</image:title>
      <image:caption>Conrad Carvalho with The Art Partners</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479182758089-PUAIDS1J9V59AZ0NR1P8/Pondering+Man+by+Eirik+Broll+Stalheim.jpg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize - 'Pondering Man' by Eirik Broll Stalheim (Winner of the Ashurst Emerging Artist Employee Choice Prize 2016)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479198998668-GINBSJBDLOQKMH0IMOA1/Ana+Maria+Martinez.jpg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize - 'Children of Senegal. Girl selling' by Ana Maria Martinez</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479199073152-J7U5SCPRPUSWPL5GAEHD/Alexandre+Oliveira.jpg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize - 'Equilibrium' by Alexandre Oliveira</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479199122989-JNX8FN7VA0F2KAMM26SL/Kyveli+Anastasiadi.jpg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize - 'OCCUPYING MOMENTUM – wire model making'Kyveli Anastasiadi</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479200732392-YPOJVC1MW9DRWXM99SYC/Streams+by+Charles+Harrop+Griffiths.jpg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize - 'Streams' by Charles Harrop Griffiths</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479200733533-KNDQO5ABP0SHNXUHH4VF/a-further-sea-ii-yambe-tam.jpg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize - 'A further sea' by Yambe Tam</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479199400877-CY9OBTG7XTGPNMAVZ44S/image-asset.jpeg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize</image:title>
      <image:caption>Conrad Carvalho, Prize Director of the Ashurst Emerging Artist Prize and Gallery Director and Consultant for Oaktree &amp; Tiger</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479199211213-Z9FNV7O0CXVV5VQ1NKNT/Harbour+-+Mirjam+Siim.jpeg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize - 'Harbour' by  Mirjam Siim (Winner of the Ashurst Emerging Artist Prize 2016)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479199216851-325LKRI0A5NKVC5H8Z2Z/Citadel.jpeg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize - 'Citadel' by Caio Locke (Ashurst Gallery exhibition 2016)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479199878013-PXZWJ9C08JDA2EPI6BHA/shadows.jpg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize - Shadow by Maryam Deyhim (Ashurst Emerging Artist Prize 2016 - Highly Commended by the Judges)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479179246778-3N5NS65RITER413TTD65/image-asset.jpeg</image:loc>
      <image:title>Journal - Conrad Carvalho on Art competitions and Ashurst Emerging Artist Prize</image:title>
      <image:caption>'No Way Out' by Matt Alexander Ray (Ashurst Prize 2015)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/10/conversation-with-the-curator-natalia-sidlina-on-cosmonauts-birth-of-the-space-age</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479125066194-O4DPACIYBUWPNQBUAIAG/image-asset.jpeg</image:loc>
      <image:title>Journal - Conversation with Natalia Sidlina on 'Cosmonauts: Birth of the Space Age'</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479125147215-OJANGP21CVDJ4X35095M/RD-108+rocket+engine+in+the+Cosmonauts+exhibition+%E2%95%95+Science+Museum.jpg</image:loc>
      <image:title>Journal - Conversation with Natalia Sidlina on 'Cosmonauts: Birth of the Space Age'</image:title>
      <image:caption>RD-108 rocket engine in the Cosmonauts exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479125122571-OEKUZ7I0UXN050XHH5YI/Visitors+with+the+LK-3+lunar+lander+in+the+Cosmonauts+exhibition+%E2%95%95+Science+Museum.jpg</image:loc>
      <image:title>Journal - Conversation with Natalia Sidlina on 'Cosmonauts: Birth of the Space Age'</image:title>
      <image:caption>Visitors with the LK-3 lunar lander in the Cosmonauts exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1479125193903-NZW3T2MNRKZFHNDVERXD/A+selection+of+spacesuits+and+the+TM-14+Soyuz+descent+module+in+the+Cosmonauts+exhibition+%E2%95%95+Science+Museum.jpg</image:loc>
      <image:title>Journal - Conversation with Natalia Sidlina on 'Cosmonauts: Birth of the Space Age'</image:title>
      <image:caption>A selection of spacesuits and the TM-14 Soyuz descent module in the Cosmonauts exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478860307653-WE82AFDV6RCW8K1XUCKD/A8421566.jpg</image:loc>
      <image:title>Journal - Conversation with Natalia Sidlina on 'Cosmonauts: Birth of the Space Age'</image:title>
      <image:caption>The identity of curators, even during realisation of such large-scale projects, often stays behind the scene, however, they keep all secrets and to their work the attention has to be paid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dfd21e8419c2abeec60e26/1478860376775-99K8XSL8RUD27XIR1OQ9/A8421587.jpg</image:loc>
      <image:title>Journal - Conversation with Natalia Sidlina on 'Cosmonauts: Birth of the Space Age'</image:title>
      <image:caption>Natalia Sidlina and Anastasia Petrovskaya and Maria Korolevskaya (The Art Partners)</image:caption>
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  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/10/must-see-exhibitions-2016</loc>
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    <lastmod>2017-02-11</lastmod>
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      <image:caption>Upcoming exhibtion of Rolling Stones heritage at Saatchi Gallery</image:caption>
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      <image:caption>Edgar Degas: A Strange New Beauty at MoMa</image:caption>
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      <image:caption>Lucy Dodd, installation view of Wuv Shack at David Lewis</image:caption>
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      <image:caption>Portrait of American artist Lee Krasner in front of one of her paintings, New York, 1950s</image:caption>
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      <image:caption>Rene Magritte 'The listening room' (La Chambre d'Écoute, 1952)</image:caption>
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  </url>
  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/10/the-art-partners-go-to-cuba-havana-art-explosion</loc>
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    <lastmod>2017-04-12</lastmod>
    <image:image>
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      <image:title>Journal - The Art Partners go to Cuba: Havana Art Explosion</image:title>
      <image:caption>Installation view of Kcho's upcoming show 'The Sun of Cuba' at The Power Station of Art in Mainland China in 2016</image:caption>
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      <image:title>Journal - The Art Partners go to Cuba: Havana Art Explosion</image:title>
      <image:caption>With Ernesto Segura at his studio with GBMLove piece</image:caption>
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      <image:title>Journal - The Art Partners go to Cuba: Havana Art Explosion</image:title>
      <image:caption>Cuban Artist Angel Ramires in his studio</image:caption>
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      <image:caption>Installation view of the group show 'Anclados en el Territorio' in Galleria Continua</image:caption>
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      <image:caption>Artwork by Ernesto Rancano Vieite</image:caption>
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      <image:caption>'The Tree of Light' by Rafael Villares, remained in the city after Cuban Biennial 2015</image:caption>
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      <image:caption>View of redecoraited neibourhood by Cuban naive artist Jose Fuster</image:caption>
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      <image:caption>Subodh Gupta'Fuente' in the group show 'Follia Continua' at Centro Wilfredo Lam</image:caption>
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  <url>
    <loc>https://www.theartpartners.com/journal1/2016/11/10/top-10-art-encounters-of-2015</loc>
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    <lastmod>2017-02-10</lastmod>
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      <image:title>Journal - Top 10 Art Encounters 2015</image:title>
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    <lastmod>2017-02-11</lastmod>
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      <image:caption>Maria Fernanda Cardoso 'Cemetery/Vertical Garden'</image:caption>
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      <image:caption>Martha Friedman 'Pore' installation view</image:caption>
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      <image:caption>Susan Philipsz ‘Immersive Sound Installation’</image:caption>
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      <image:caption>Isaac Julien 'Stones against Diamonds' show</image:caption>
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      <image:caption>Gustavo Pérez Monzón with his installation Vilos, 1981/2015 Photo: Pericles Lavat, courtesy of CIFO Cisneros Fontanals Art Foundation</image:caption>
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    <lastmod>2017-02-11</lastmod>
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      <image:caption>Today in the art world there is a large number of estimable and empowered women working in its upper echelons, as artists, in museums, and as art dealers and critics. Despite encouraging signs of women’s improved status and visibility in the art world, it can be defined mostly as male dominated.</image:caption>
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      <image:caption>Today in the art world there is a large number of estimable and empowered women working in its upper echelons, as artists, in museums, and as art dealers and critics. Despite encouraging signs of women’s improved status and visibility in the art world, it can be defined mostly as male dominated.</image:caption>
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